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The prints of home design

English decorator Kidston uses colour and pattern to create memorable rooms

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English designer Cath Kidston is known as The Queen of Print. With a background in interior design and styling, Kidston founded her brand in 1993 and made it a global name selling home furnishing­s and fashion products.

In 2017, after stepping down from the Cath Kidston Group, she founded a solo venture, Joy of Print, a creative design studio specializi­ng in designing prints for the interiors and fashion world. Her new book, A Place Called Home, highlights her 17th-century farmhouse and garden in Gloucester­shire, which is decorated with her collected treasures and textiles and floral patterns from around the world.

Here she answers reader questions:

Q If you could design a kitchen from scratch, what colours would you use for flooring (wood), countertop­s, cabinets and backsplash? We're building a new home and we have to pick all this in the design centre, and I'm just overwhelme­d and want to make sure things co-ordinate.

A Designing a kitchen can be quite overwhelmi­ng as it's such an investment. My rule of thumb is to try not to follow trends as you don't want the room to be out of date in no time. I usually keep my cabinets white and choose classic wood or stone flooring and countertop­s. I then accessoriz­e with lots of colour, be it with pictures, tabletop, etc. as this is more flexible and a great way to make the room individual.

Q Do you have any favourite online sources for charming print sofa pillows, lampshades, quilts and the like?

A Block prints are really popular right now and I love Molly Mahon's pillows and prints. I have recently collaborat­ed with a wonderful lampshade designer called Rosi de Ruig via my design studio Joy of Print.

Q I have to ask this: Do any of the Royals have Cath Kidston fabrics in their homes?

A I hope so but they would never say. Over the years, a number had been customers and I remember Prince George being photograph­ed in a shirt. As I am no longer involved with the company, I can't tell you any recent updates.

Q What is your all-time favourite pattern? What pattern do you consider a neutral?

A My favourite all-time pattern is a bold floral 1960s chintz by the theatre designer Oliver Messell. It has bright coloured bunches on a white ground. I have used it in a guest room with plain white walls and kept the room very simple.

I don't consider any patterns neutral, but stripes and plaid are always a good calming combinatio­n with bold florals.

Q Do you think prints are soothing? Sometimes I think too many prints in a room makes it look messy.

A I like the notion that a room full of objects can be more soothing than a plain space, as the eye has something to rest on. I love colour and print, but that being said I like a room that feels quite edited and tidy. The right prints can really lift a room and bring colours together like nothing else, but I agree too much of a mix can be a bit much.

Q What is your opinion on gallery walls? I am afraid that a gallery wall will make my already small home/rooms

look even smaller, yet they seem to be all the rage, at least in U.S. interiors.

A I love them. I can't resist collecting art so I love hanging things together in this way. I reckon it can really help a small space to have a feeling of scale if you group pictures together on, say, one wall, but leave more space on others to prevent the room feeling crowded.

Q You are renowned for your distinctiv­e prints. How has print influenced your style?

A I have always loved print. My childhood memories are full of rose chintzes and somehow I have developed a near photograph­ic memory for colour and prints. I spend most of my work life either designing or researchin­g print. Stylewise, I was bought up with “English Country House” taste in my DNA. I have gone through phases of designing more modern, pared-back interiors but somehow always come back to working with print in some way or another. I tend to use it a lot when decorating but mainly in the bedroom areas these days.

Q A Place Called Home is in the same vein as Bunny Williams' An Affair With a House. Did you find it harder to put this book together because of the personal nature of it versus a more traditiona­l book highlighti­ng work for clients? A I was surprised that I found it easier to write about my own home. I guess decorating is really quite an emotional thing —

making a place personal, giving it a character, atmosphere, etc., and I understood all the nuances of what I had done and the history of how I had got to that point of making it the way it was.

Q I think what appeals to me most about the comfy English look is the comfort. There are so many synthetics here and I know they wear much better but they are not comfortabl­e. What do you think about that? A I agree — comfort rules. There are lots of ways of being practical though. I always look to the most comfortabl­e seating I can find and that is usually with a natural filling but then use covers that are easy to have cleaned.

Q How do you know where to start when designing a room?

A I usually look to one key item to build around — so it may be a rug or a picture I already own that is the trigger point. I will then try to decide the wall colour. I always collect images of rooms I like and have a library of reference books so these are a go-to places as well.

Q I have a small kitchen in a large open floor plan home. The dining, living, and kitchen areas are all open but the kitchen has very little counter space or storage. I thought of extending it but the garage door is right where it would be able to be extended. Also there isn't really any space for an island in the kitchen either. There is an area between the kitchen and living room that

is currently empty and I was thinking of adding some sort of coffee bar/ china cabinet there but I have no idea where to start. Should I try to match it to the dark wood of the kitchen because I would like to use it primarily for kitchen storage? I have been looking for solutions for months.

A It sounds like that empty space between the kitchen and the living area is a great place to create more counter space and storage. I would think about building in a unit and painting it a colour that links the two rooms. A cabinet with glass doors above can be great to store and display china.

Q I have just bought my first house and am having a hard time putting my mind around creating some sort of cohesive (or semi-cohesive), approach to decorating. I love colour and want plenty of colour around, and am working with a small rowhome that has some cool built-in features, such as exposed stone walls and wood beams. Any suggestion­s for how I figure out what my style is? I do have a toddler, so playfulnes­s and practicali­ty are important.

A How exciting to be starting a new project. I would start by looking at books and Pinterest etc. of rooms with the same stone and beams etc. and see how other people have used colour in that environmen­t. Good luck with it and enjoy creating your new home.

 ?? PHOTOS: GETTY IMAGES/ ISTOCK ?? Interior designer Kath Kidston recommends choosing white cabinets and natural stone or wood floors and countertop­s to create a classic template for your kitchen, which can be individual­ized and enlivened by colourful accessoriz­ing.
PHOTOS: GETTY IMAGES/ ISTOCK Interior designer Kath Kidston recommends choosing white cabinets and natural stone or wood floors and countertop­s to create a classic template for your kitchen, which can be individual­ized and enlivened by colourful accessoriz­ing.
 ??  ?? Kath Kidston says creating a new kitchen is so expensive, it pays to keep things classic “as you don't want the room to be out of date in no time.”
Kath Kidston says creating a new kitchen is so expensive, it pays to keep things classic “as you don't want the room to be out of date in no time.”

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