Saskatoon StarPhoenix

Comedy by the numbers

Call Your Mother is an empty-nest sitcom that can't quite find its pacing or footing

- DANIEL D'ADDARIO Variety.com

Call Your Mother Wednesdays, ABC

Perhaps it's because the present moment is so unsettled that Call Your Mother, ABC'S new sitcom from The New Adventures of Old Christine creator Kari Lizer, manages to feel in its pilot episode more comforting than it otherwise might.

The series, about an overbearin­g mom (Kyra Sedgwick) barging in on the lives of her two children (Joey Bragg and Rachel Sennott), hits notes that are alternatel­y too familiar or jarring for the wrong reasons. The show has a pleasant warmth, but it seems to have too little of a sense about what within it works to find its footing.

Sedgwick's Jean Raines, in the first episode's early going, ditches Iowa for Los Angeles as a way of dropping in on her son Freddie, who hasn't picked up the phone for her in (gasp) four days.

That this is really not so very long at all is the joke, but Sedgwick, when the pilot's frantic pace slows for a beat, infuses the character with a say-everything desperatio­n whose unfunnines­s

seems to serve a larger point. “I'd still be breastfeed­ing if we lived in France!” she declares at one point to laughs from the laugh track but likely winces from viewers at home.

Earlier, she'd asked her best friend (a game Sherri Shepherd) “If I'm not mothering anymore, am I still a mother? If I'm not teaching anymore, am I still a teacher?”

This is a story worth exploring. Which makes it unfortunat­e that, for instance, the children's storylines are swaddled in iffy attempts to stay current, like Freddie's girlfriend (Emma Caymares), a parody of an influencer written with a broad stroke.

A romance plot between

Jean and the host of her rented lodging (Patrick Brammall) feels unnecessar­y, unbelievab­le — given that Brammall's handsome Brit is hosting paying guests in a beautifull­y appointed home that's indistingu­ishable from Jean's two children's beautifull­y appointed homes — and almost mean-spirited.

In her dealings with her children, who she's known their entire lives and who are now estranged from her and from one another, Jean's lonesomene­ss comes through. When she tries to smooch the guy whose house she's been staying in for a day, it seems misplaced and poorly paced, to say the least. Sedgwick is a winning actress who's had great success on TV, mainly in drama. She might have brought that edge to a show more interested in doing something beyond the broadest version of itself.

 ??  ?? Kyra Sedgwick
Kyra Sedgwick

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