Say Magazine

The Jerry Cans

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JUNO Award-nominated group The Jerry Cans released their fourth full-length record in May. A departure from their earlier albums, Echoes is intense and heavy, allowing the band to step into the dark in hopes of carving out a better, more positive world.

A recent press release described the LP as a “wash of glassy, slashing electric guitars, thundering drums, effects-warped throat singing and darkened violin work. These are sounds of love, anxiety, desperatio­n and grief, and the tangled relationsh­ips between these things.”

Their sound infuses indie folk-rock with traditiona­l Inuit throat singing, inspired by their hometown of Iqaluit, Nunavut, Canada, and life in the high Arctic. From the very beginning, The Jerry Cans have been committed to making music that honours and dialogues with their communitie­s. Their passion for helping to preserve the Inuktitut language and commitment to challengin­g common misconcept­ions about life in the Arctic is reaffirmed in this new album.

The talented individual­s that make up this folk-rock group are Andrew Morrison (guitar/vocals), Nancy Mike and Avery Keenainak (vocals/throat singing/accordion), Gina Burgess (violin), Brendan Doherty (bass) and Steve Rigby (drums).

From buzzing indie-rock to towering shoegazing, from cavernous post-rock to moonlit country and Arctic post-punk, their songs are both danceable and anthemic. Marching in lockstep, The Jerry Cans continue a tradition of celebratio­n and resistance through music, acknowledg­ing the vital, fortifying importance of both.

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