The thrill and the truth of Aretha Franklin

The clarity and the command. The daring and the discipline. The thrill of her voice and the truth of her emotions.

Like the best actors and poets, nothing came between how Aretha Franklin felt and what she could express, between what she expressed and how we responded. Blissful on “(You Make Me Feel Like) a Natural Woman.'' Despairing on “Ain't No Way.'' Up front forever on her feminist and civil rights anthem “Respect.''

Franklin, the glorious “Queen of Soul'' and genius of American song, died Thursday morning at her home in Detroit of pancreatic cancer. She was 76. Few performers were so universally idolized by peers and critics and so exalted and yet so familiar to their fans. As surely as Jimi Hendrix settled arguments over who was the No. 1 rock guitarist, Franklin ruled unchallenged as the greatest popular vocalist of her time.

She was “Aretha,'' a name set in the skies alongside “Jimi'' and “Elvis'' and “John and Paul.'' A professional singer and pianist by her late teens, a superstar by her mid-20s, she recorded hundreds of songs that covered virtually every genre and she had dozens of hits. But her legacy was defined by an extraordinary run of top 10 soul smashes in the late 1960s that brought to the radio an overwhelming intensity and unprecedented maturity, from the wised-up “Chain of Fools'' to the urgent warning to “Think.''

Acknowledging the obvious, Rolling Stone ranked her first on its list of the top 100 singers. Franklin was also named one of the 20 most important entertainers of the 20th century by Time magazine, which celebrated her “mezzo-soprano, the gospel growls, the throaty howls, the girlish vocal tickles, the swoops, the dives, the blue-sky high notes, the blue-sea low notes. Female vocalists don't get the credit as innovators that male instrumentalists do. They should. Franklin has mastered her instrument as surely as John Coltrane mastered his sax.''

The music industry couldn't honour her enough: Franklin won 18 Grammy awards and, in 1987, became the first woman inducted into the Rock and Roll Hall of Fame. But her status went beyond “artist'' or “entertainer'' to America's first singer, as if her very presence at state occasions was a kind of benediction. She performed at the inaugural balls of Presidents Bill Clinton and Jimmy Carter, at

the funeral for civil rights pioneer Rosa Parks and the dedication of Martin Luther King Jr's memorial. Clinton gave Franklin the National Medal of Arts and President George W. Bush awarded her the Presidential Medal of Freedom, the nation's highest civilian honour.

Franklin's best-known appearance with a president was in January 2009, when she sang “My Country 'tis of Thee'' at President Barack Obama's first inauguration. She wore a grey felt hat with a huge, Swarovski rhinestone-bordered bow that became an internet sensation and even had its own website. In 2015, she brought Obama and many others to tears with a triumphant performance of “Natural Woman'' at a Kennedy Center tribute for the song's co-writer, Carole King.

Her voice transcended age, category and her own life. Franklin endured the exhausting grind of celebrity and personal troubles dating back to childhood. The mother of two boys by age 16 (she later had two more), she struggled with her weight, family problems and financial setbacks. Her strained marriage in the 1960s to then-manager Ted White was widely believed to have inspired her performances on several songs, including “(Sweet Sweet Baby) Since You've Been Gone, '' '' Think” and ''Ain't No Way.” Producer Jerry Wexler nicknamed her ''Our Lady of Mysterious Sorrows.”

Despite growing up in Detroit, and having Smokey Robinson as a childhood friend, Franklin never recorded for Motown Records; stints with Columbia and Arista were sandwiched around her prime years with Atlantic Records. But it was at Detroit's New Bethel Baptist Church, where her father was pastor, that Franklin learned the gospel fundamentals that would make her a soul institution.

Aretha Louise Franklin was born March 25, 1942, in Memphis, Tennessee. The Rev. C.L. Franklin soon moved his family to Buffalo, New York, then to Detroit, where the Franklins settled after the marriage of Aretha's parents collapsed and her mother (and reputed sound-alike) Barbara returned to Buffalo.

“A wonder child,'' was how Robinson described her to Franklin biographer David Ritz.

Franklin was in her early teens when she began touring with her father, and in 1956 she released a gospel album through J-V-B Records. Four years later, she signed with Columbia Records producer John Hammond, who called Franklin the most exciting singer he had heard since a vocalist he promoted decades earlier, Billie Holiday. Franklin knew Motown founder Berry Gordy Jr. and considered joining his label, but decided it was just a local company at the time.

“But the years at Columbia also taught her several important things,'' critic Russell Gersten later wrote. “She worked hard at controlling and modulating her phrasing, giving her a discipline that most other soul singers lacked. She also developed a versatility with mainstream music that gave her later albums a breadth that was lacking on Motown LPS from the same period.

“Most important, she learned what she didn't like: to do what she was told to do.''

In 1966, her contract ran out and she jumped to Atlantic, home to such rhythm and blues giants as Ray Charles. Wexler highlighted her piano playing and teamed her with veteran R&B musicians from FAME Studios in Muscle Shoals, Alabama. The result rocked as hard as the Rolling Stones while returning her to her gospel roots.

Her breakthrough was so profound that Ebony Magazine called 1967 the year of “'Retha, Rap and Revolt.'' At a time of protest and division, Franklin's records were signposts to a distant American dream _ a musical union of the church and the secular, man and woman, black and white, North and South, East and West. They were produced and engineered by New Yorkers Wexler and Tom Dowd, arranged by Turkish-born Arif Mardin and backed by an interracial gathering of top session musicians.

“In black neighbourhoods and white universities, in the clubs and on the charts, her hits came like cannonballs, blowing holes in the stylized bouffant and chiffon Motown sound,'' Gerri Hirshey wrote in “Nowhere to Run,'' a history of soul music that was published in 1984.

The difference between Franklin at Columbia and Franklin at Atlantic shows in a pair of songs first performed by Dionne Warwick: “Walk On By'' and “I Say a Little Prayer.'' On “Walk On By,'' recorded at Columbia, the arrangement stays close to the cool pop and girl group chorus of the original. “I Say a Little Prayer,'' an Atlantic release, was a gospel workout, from Franklin's church-influenced piano to the call-and-response vocals. From her years at Atlantic and through the rest of her life, she would rarely stick to anyone else's blueprint for a song, often revising her own hits when she performed them on stage.

One of her boldest transformation came on her signature record and first No. 1 hit, “Respect,'' a horn-led march with a chanting “sock-it-to-me'' chorus and the spelled out demand for “R-E-S-PE-C-T.'' Franklin had decided she wanted to “embellish'' the R&B song written by Otis Redding, whose version had been a modest hit in 1965.

“When she walked into the studio, it was already worked out in her head,'' Wexler wrote in Rolling Stone magazine in 2004. “Otis came up to my office right before 'Respect' was released, and I played him the tape. He said, 'She done took my song.' He said it benignly and ruefully. He knew the identity of the song was slipping away from him to her.''

In a 2004 interview with the St. Petersburg (Florida) Times, Franklin was asked whether she sensed in the '60s that she was helping change popular music.

“Somewhat, certainly with 'Respect,' that was a battle cry for freedom and many people of many ethnicities took

pride in that word,'' she answered. “It was meaningful to all of us.''

She was rarely off the charts in 1967 and 1968 and continued to click in the early 1970s with the funky “Rock Steady'' and other singles and such acclaimed albums as the intimate “Spirit in the Dark.'' Her popularity faded during the decade, but revived in 1980 with a cameo appearance in the smash movie “The Blues Brothers'' and her switch to Arista Records, run by her close friend Clive Davis. Franklin collaborated with such pop and soul artists as Luther Vandross, Elton John, Whitney Houston and George Michael, with whom she recorded a No. 1 single, “I Knew You Were Waiting (for Me).'' Her 1985 album “Who's Zoomin' Who'' received some of her best reviews and included such hits as the title track, a phrase she came up with herself, and “Freeway of Love.''

If she never quite recaptured the urgency and commercial success of the late '60s, she never relinquished her status as the singer among singers or lost her willingness to test herself, whether interpreting songs by Lauryn Hill and Sean “Diddy'' Combs on her acclaimed “A Rose Is Still a Rose'' album or filling in at the 1998 Grammy ceremony for an ailing Luciano Pavarotti. She covered songs by Ray Charles, the Rolling Stones and Sam Cooke, but also music by Stephen Sondheim, Bread and the Doobie Brothers. At an early recording session at Columbia, she was asked to sing “Over the Rainbow.''

“If a song's about something I've experienced or that could've happened to me, it's good,'' she told Time magazine in 1968. “But if it's alien to me, I couldn't lend anything to it. Because that's what soul is about _ just living and having to get along.''

Being “Aretha'' didn't keep her from checking out the competition. Billing herself on social media as “The Undisputed Queen of Soul,'' she lashed out at Beyonce for even suggesting that Tina Turner deserved the title and had sharp words for Mavis Staples and Gladys Knight, among others. She even threatened to sue Warwick in 2017.

Her albums over the past two decades included “So Damn Happy,'' for which Franklin wrote the gratified title ballad, and “Aretha Sings the Great Diva Classics,'' featuring covers of hits by Adele and Alicia Keys among others. Franklin's autobiography, “Aretha: From These Roots,'' came out in 1999. But she always made it clear that her story would continue, and that she would sing it.

“Music is my thing, it's who I am. I'm in it for the long run,'' she told The Associated Press in 2008. “I'll be around, singing, 'What you want, baby I got it,' having fun all the way.

409 South St., Cowansville on Saturday, August 18 from 7 p.m. to 11 p.m. for an evening of fun and dancing with

playing your favorite country songs and a variety of dance music. Door prizes, 50-50 drawing. Canteen on premises.

Edwards Country Folks band

Donation: $8.

hall.

all for just $15.

will be the

Jimmy

Please support the church and food bank.

August 18 Country music and dancing with “Keepin’ it Country” at Centre George Perron,

14 Philips, Bedford, from 7 p.m. to 11 p.m. on Saturday, August 18. BYOB. Door prizes. Air conditioned

August 18

No dance this week at the Beebe Town Hall,

72 Main St., Stanstead (Beebe). We will be back next week with the Old School Country Band. On September 1, Country Swingers (Ronnie Haseltine) will be playing. Info: Gail 819-876-2021. Everyone welcome.

August 19

Please join us for Hymn Sing at 7 p.m. on Sunday, August 19 at St. James Anglican Church,

725 Lakeside, Foster. Those present choose the songs we sing so if you love to sing and make a joyful noise, this is the place to be. Join us afterwards in the hall for refreshments. Everyone is welcome. Info: 450-539-1123.

September 8

2nd annual "Fall into Autumn" Country Music Appreciation Jam at the Burroughs's Falls Reception Hall,

Ayer’s Cliff on Saturday, September 8 starting at 1 p.m. Hours of continuous fun, live country music, door prizes, corn roast and cold buffet, Our mission is to support LIVE country music and to encourage professional musicians to keep their music alive! Along with the new

house band Bobbi Dee and The Honky Tonk Rebels featured band (all the way from Montreal) Lost Highway,

plus other favorite local musicians may stop by to Jam. This is one Fall Event you really won’t want to miss! To reserve a spot, call Burroughs’s Falls Hall at 819-838-4912. 278 Brill Road, West Bolton, at the back of the church. Please come and enjoy a free outing for all. Sunday, August 19 from 11 a.m. to 2 p.m. Hot dogs and corn roast.

August 24

The annual Summer Market of The Canadian Federation of University Women (CFUW), Sherbrooke and District,

will be held in the Scott Hall of the Lennoxville United Church, 6 Church St., Friday, August 24 from 9 a.m. to 6 p.m. and Saturday, August 25 from 10 a.m. to 2 p.m. There will be a giant book sale, a Penny Sale and a Silent Auction; items will range from books, CDS, gift certificates, baked goods, jams and more. This is CFUW’S main annual fundraiser.

All money raised supports scholarships and bursaries for local students as well as our annual Public speaking contest.

August 26 TRENHOLM UNITED CHURCH. worship and fellowship

Steward’s BBQ. free BBQ

September 8 & 9 PIGGERY THEATRE BARN FUNDRAISER,

Come and join us in on Sunday, August 26 at 11:00 a.m. The service will be followed by our

Hot dogs, corn on the cob, pot-luck salads and desserts, as well as refreshments will be provided. Just bring your lawn chair!

annual

August 26 Annual general assembly of the Compton-stanstead Federal Liberal Riding Association

on August 26 at 11 a.m. followed by a and corn roast with M.P. Marie-claude Bibeau from noon to 2 p.m. at the Waterville Golf Club. All are welcome! Information: 1873-200-9376.

September 8 Creek Church annual Ham Supper

on Saturday, September 8 from 4:30 p.m. to 6:30 p.m.

Donation: 2 for $25, single $13, children 10 & under $3.

Contact May Banks 450-243-0280, Steve Lace 450-2421816.

SALE

Saturday and Sunday, September 8 and 9, 8 a.m. to 2 p.m., 215 ch. Simard, Ste. Catherine de Hatley, J0B 1W0. If you are uncluttering, moving or downsizing and have items to donate please call 819-842-2431 (NO CLOTHES PLEASE) or piggerymedia@gmail.com.

EXHIBITS August 18

Saturday, August 18, 5-7 p.m.,

240a Dufferin St., Stanstead, Quebec. Cello virtuoso Erich Kory will be improvising music inspired by the exhibition, and Phil Desormeaux will be demonstrating his blacksmithing skills for us again! ‘Ogden: Then and Now’ - old black and white photographs from personal and archival collections, and the same photograph taken today ‘Twelve Thousand Years of Native Presence’ – panel Heritage Ogden Committee, Tom Montgomery, Jeffrey Packard, Paul Carignan, ‘Enchanted Forest’ Allyna Harris - painting on bark and canvas, On-going: Voices From Greece: ‘I Still Have a Glimmer of Hope’ René Jean Amba - painting, writing, Prospects and Echoes of Visions’ Majed Ebraheem and Fatima Kriem painting, poetry, August 16 to September 2, 2018. HOURS: Thursday to Sunday 11 a.m. to 6 p.m. www.levieuxforgeron.com. Facebook: Le Vieux Forgeron Art Gallery.