Style at Home

Viki Mansell

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has an indisputab­le take on artwork in the home: “You can have beautiful design, but if you have a ghastly piece of art, that’s all anyone will look at.” It’s a conviction reflected in her two Toronto home furnishing stores, Absolutely and Absolutely North, which, in addition to offering furniture and decorative accessorie­s, feature a range of artwork, from photograph­s and paintings to lithograph­s and drawings. “Most people are confident when picking out paint colours and furniture,” says Viki, “but few train their eyes for buying art – especially when it’s for a farmhouse.” The farmhouse referred to here belongs to one of Viki’s clients, an avid art collector, who enlisted the designer to transform a turn-of-the-century rural property into a picture-perfect retreat.

Situated north of Toronto, the 3,600-square-foot brick house was definitely in need of some serious loving care, but fortunatel­y, its original floor plan required little finessing. So while the space was gutted to remedy old electrical, insufficie­nt insulation and dated finishes, the staircase remained in its original position, and wherever possible, other features – such as the hardwood flooring upstairs, all the interior doors and the tongue-and-groove ceilings in the kitchen and dining room – were kept intact. Viki replaced the downstairs flooring, which

“THE PALETTE was drawn from the surroundin­g countrysid­e.”

couldn’t be saved, with butternut planks sourced and prepared by an arborist. The only structural changes were the addition of a fireplace flanked by French doors in the living room and the reposition­ing of an upstairs wall. “We siphoned off square footage from one of the three bedrooms to increase the size of the second-floor bathroom,” says Viki.

Once renovated, the house was ready to receive its artistic flourishes. “My vision was to maintain the farmhouse’s structural integrity while infusing it with a modern rustic overlay,” says Viki. This vision was inspired by the home’s setting. “The palette was drawn from the surroundin­g countrysid­e, so we highlighte­d the neutral walls with furnishing­s in caramel, burnt orange and maple red.”

Viki’s choice of furniture amplifies the contempora­ry mood. “Comfort was a priority, but the furniture is tailored – there’s no overstuffi­ng or rolled arms, just the simplicity of the lines,” she says. It’s a simplicity that extends to the windows on the main level, which were purposely left unadorned. “The homeowner didn’t want window coverings to distract from the beautiful views outside and the artwork on the walls.” It’s apparent that art is an essential design element, as it’s displayed everywhere from the dining and living rooms to less expected spots like above the bathtub and in the mud room. “While the artwork would look great anywhere, it truly complement­s this space,” says Viki. “It belongs here.” There’s no debating that.

 ??  ?? In the dining room, a wooden trestle table combined with Italian leather chairs and a graphic light fixture capture the contempora­ry farmhouse aesthetic. Shaded White 201 WALL PAINT, Farrow & Ball; DINING TABLE, LIGHT FIXTURE, Absolutely; DINING...
In the dining room, a wooden trestle table combined with Italian leather chairs and a graphic light fixture capture the contempora­ry farmhouse aesthetic. Shaded White 201 WALL PAINT, Farrow & Ball; DINING TABLE, LIGHT FIXTURE, Absolutely; DINING...
 ??  ?? LEFT A bathtub surround and vanity made of 150-year-old pine warm up the all-white second-floor bathroom. Distant Gray OC-68 WALL PAINT, Benjamin Moore; custom VANITY, TUB SURROUND & TUB DECK, SMK Constructi­on; BATHTUB, FAUCET, Ginger’s; FLOOR TILES,...
LEFT A bathtub surround and vanity made of 150-year-old pine warm up the all-white second-floor bathroom. Distant Gray OC-68 WALL PAINT, Benjamin Moore; custom VANITY, TUB SURROUND & TUB DECK, SMK Constructi­on; BATHTUB, FAUCET, Ginger’s; FLOOR TILES,...

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