The Daily Courier

Minions rule at weekend box office as The House burns down

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LOS ANGELES (AP) — The Minions are still a box office force and original stories are scoring big, but not the R-rated comedy — even with Will Ferrell and Amy Poehler behind it.

Studio estimates on Sunday say that Universal Pictures and Illuminati­on’s Despicable Me 3 earned $75.4 million over the weekend, while the former Saturday Night Live stars’ gambling comedy The House burned down.

Featuring the voices of Steve Carell and Trey Parker, Despicable Me 3 easily topped the holiday weekend charts from 4,529 theatres in North America. While it’s a far cry from the Minions’ $115 million launch in 2015, and also lower than Despicable Me 2, which opened to $83.5 million in 2013, Nick Carpou, president of Domestic Theatrical Distributi­on for Universal Pictures, says that $75 million is a number he’ll celebrate any day of the week.

Carpou notes that Illuminati­on continues to prove itself a formidable brand for family entertainm­ent.

“They resonate and absolutely are relatable,” Carpou said. “They’re movies that are built for all ages.”

Edgar Wright’s original heist movie Baby Driver coasted to $30 million in its first five days in theatres, with $21 million from the three-day weekend to take second place. Sony Pictures released the R-rated pic which stars Jamie Foxx, Ansel Elgort, Jon Hamm and Kevin Spacey and cost a reported $34 million to produce.

“How great it is to see audiences turn out to support original filmmaking,” said Josh Greenstein, Sony’s president of worldwide marketing and distributi­on. “They’ve made Baby Driver the surprise hit of the summer, a true sleeper.”

The R-rated film did well with critics and is one of a handful of original or independen­t films this weekend that are notable successes.

Sofia Coppola’s R-rated Civil War-set film The Beguiled scored in its expansion from four to 674 theatres in its second weekend. It earned $3.3 million to take eighth place and bested franchise fare including The Mummy and Pirates of the Caribbean: Dead Men Tell No Tales, which were both playing in more than 1,670 theatres.

The well-reviewed romantic comedy The Big Sick also did good business in its expansion to 71 locations, earning $1.7 million. The R-rated film expands wide on July 14.

“The best box office stories are further down the chart. They are all benefiting from feeling like the kind of content people are responding to on the small screen,” said Paul Dergarabed­ian, a senior media analyst for comScore. “Perhaps this is the summer where Hollywood finally starts emulating the small screen model of creating compelling original content in order to generate goodwill with audiences who have more options than ever before.”

Rounding out the top five were holdovers Transforme­rs: The Last Knight in third with $17 million, followed by Wonder Woman with $15.6 million and Cars 3 with $9.5 million.

Not so successful was suburban gambling comedy The House which landed in sixth place with only $9 million — one of the lowest of Ferrell’s career and the latest in a string of Rrated comedies to tank at the box office following Rough Night and Baywatch.

“The R-rated comedy used to be the antidote to the typical summer blockbuste­r and now those films are having a tough time,” said Dergarabed­ian noting success stories like The Hangover, Bridesmaid­s and Neighbours. “Now people feel like they’ve seen that movie before when they watch the trailer. They’ve lost interest.”

Overall, the summer box office continues to struggle and is down nearly 8 per cent from last year, while the year to date is close to flat. But the summer box office roller coaster may still have some surprises in store.

“Spider-Man: Homecoming will swing in action later this week and, like Wonder Woman before it, could turn things around,” Dergarabed­ian said. “But we need more than one box office superhero, we need multiple films performing.”

Below are the estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to comScore. Where available, the latest internatio­nal numbers for Friday through Sunday are also included. 1. Despicable Me 3, $75.4 million ($95.6 million internatio­nal). 2. Baby Driver, $21 million ($6.8 million internatio­nal). 3. Transforme­rs: The Last Knight, $17 million ($68 million internatio­nal). 4. Wonder Woman, $15.6 million ($13.6 million internatio­nal). 5. Cars 3, $9.5 million ($5 million internatio­nal). 6. The House, $9 million ($2.7 million internatio­nal). 7. 47 Metres Down, $4.7 million ($800,000 internatio­nal). 8. The Beguiled, $3.3 million ($460,000 internatio­nal). 9. The Mummy, $2.8 million ($10.3 million internatio­nal). 10. Pirates of the Caribbean: Dead Men Tell No Tales, $2.4 million ($16.3 million internatio­nal).

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 ?? (Illuminati­on and Universal Pictures ?? This file image released by Illuminati­on and Universal Pictures shows the Minions in a scene from Despicable Me 3.
(Illuminati­on and Universal Pictures This file image released by Illuminati­on and Universal Pictures shows the Minions in a scene from Despicable Me 3.
 ?? GLEN WILSON/Warner Bros. Entertainm­ent ?? From left, Will Ferrell, Amy Poehler and Jason Mantzoukas in a scene from The House.
GLEN WILSON/Warner Bros. Entertainm­ent From left, Will Ferrell, Amy Poehler and Jason Mantzoukas in a scene from The House.

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