The Daily Courier

a walk on the wild side

Compared to many other hot cars on the street, the AMX was tame, but for AMC it was

- By MALCOLM GUNN

Forty grand for an AMX?

Yup, that’s what an Arizona dealer was asking for a fully loaded 1969 model in reportedly pristine condition.

It’s a far cry from 45 years ago when a lack of buyers for the AMX over its three-year lifespan kept quantities to a trickle.

The AMX was an attempt to produce something really revolution­ary and to radically change the perception­s of American Motors Corporatio­n. But the vehicle designed to make a big noise in the marketplac­e amounted to little more than a barely audible whisper.

Poor old AMC could hardly be faulted for trying. Hit head-on by the Go-Go 1960s, the company had little choice but to abandon its compact-focused, fuel-efficiency­is-king mantra and develop products with the cash- and creditrich boomer generation in mind. And what this demographi­c desired more than anything else were sporty automobile­s with gobs of adrenaline-producing horsepower. And with a lineup primarily consisting of cars that appealed to their grandparen­ts, AMC was typecast as stodgy and un-hip.

The corporate brass was aware of the problem, but with dwindling sales and limited financial resources, the company was forced into building performanc­e on the cheap.

The initial attempt was the Rambler Marlin that was based on one of the company’s frumpy sedans instead fitted with a swoopy fastback roof. The Marlin managed to hang on from 1965’68, but the kids saw it for what it was and stayed away.

However, the future was looking up. The Marlin was followed by the Javelin in 1968, an original and on-the-mark model somewhat similar in shape (long nose, short rear deck) to the Ford Mustang, Plymouth Barracuda and Chevrolet Camaro. The Javelin sold at a respectabl­e clip, although it never posed any real threat to the Big Three’s supremacy in the so-called “ponycar” category.

But AMC was holding an ace up its sleeve, one that it hoped would add greater sparkle to its emerging line of performanc­e machinery.

In a surprise move, American Motors unleashed the AMX alongside the Javelin in late February of 1968.

At first glance, the AMX looked vaguely familiar and for good reason since it was based on the Javelin. The designers had simply removed about a foot behind the front doors to create a strictly two passenger quasi-sports car with a generous storage spot behind the seats.

The AMX was at least as good looking as the Javelin. The beautifull­y proportion­ed clutter-free lines and “flying buttress” rear end gave it a no-nonsense appearance.

The car was unique in other ways. It was the only AMC product to feature V8 power exclusivel­y, something that only a year or two earlier would have been considered heresy for a company that had staked its reputation manufactur­ing primarily fuel-efficient six-cylinder automobile­s. Customers could choose from a quartet of engines, ranging from a modest 225-horsepower 290-cubic-inch V8, all the way up to a muscular 315-horse 390-cube motor that was capable of launching the two-seater to 60 mph (96 kmh) in less than seven seconds.

No matter the engine, the AMX could be ordered with a fourspeed manual transmissi­on, or optional three-speed automatic.

The base price of about $3,250 was at least $750 higher than that of the Javelin and its peers, but the AMX did include a fancy interior with reclining bucket seats, carpeting, woodgrain interior trim, dual exhaust and a heavyduty suspension and, of course, a V8.

To promote the car’s arrival, AMC sponsored former landspeed record holder Craig Breedlove as he set 106 separate speed records in a specially prepared AMX. To celebrate the achievemen­t, a special run of 50 “Craig Breedlove” editions were produced, each copying the racer’s red-white-and-blue paint job.

In 1969, AMC also produced about the same number of AMX SS cars aimed at the drag-racing crowd. For a hefty $6,000, these cars came with heavily modified engines, suspension­s and Hurstbrand transmissi­on shifters.

All of AMC’s valiant efforts, which included a heavy emphasis on various forms of racing, ultimately failed to deliver big numbers on the company’s bottom line and the original AMX body style ended after three years with a little more than 19,000 units sold, which was about half the number of Plymouth Road Runners sold in 1968 alone.

The AMX would live on as a special Javelin model until 1974 when, tiring of the whole escalating musclecar/ponycar battle (which was beginning to fade, anyway), American Motors retreated to what it knew and did best: producing mainly inexpensiv­e economy cars with six-cylinder engines.

The AMX might not have been a sales or performanc­e standout, but it was one of AMC’s most interestin­g and off-the-wall vehicles, no doubt the reasons behind the $40,000 asking price for a pristine model today.

 ??  ?? For all its good looks and performanc­e, the AMX never really caught on. Where the Chevrolet Corvette has been an icon for 60 years, the AMX lasted for about five. If the AMX looked familiar, it should have, since it was based on the Javelin.
For all its good looks and performanc­e, the AMX never really caught on. Where the Chevrolet Corvette has been an icon for 60 years, the AMX lasted for about five. If the AMX looked familiar, it should have, since it was based on the Javelin.
 ??  ?? The AMX, for all its size, was just a two-seater, which ironically likely limited sales. It was also one of the most unique cars on the road at the time, which should have elevated its popularity.
The AMX, for all its size, was just a two-seater, which ironically likely limited sales. It was also one of the most unique cars on the road at the time, which should have elevated its popularity.

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