The Daily Courier

Fans don African fashions to see Black Panther

- By The Associated Press

The vibrant African fashion of the movie Black Panther was on display at multiplexe­s around the country as moviegoers flocked to the first showings of Marvel’s latest superhero blockbuste­r in traditiona­l African shirts, dresses, head wraps and more.

Some opted to make their own clothes to celebrate the arrival of a superhero many black moviegoers said provided an opportunit­y for them to celebrate their heritage in a way they haven’t been able to before.

“We’re excited because we get representa­tion in a film that’s not about slavery, that’s not about trials and tribulatio­ns, but about a powerful African empire, which is where we come from in the first place,” said tattoo artist Elisheba Mrozik, who attended one of the first showings of the film in Nashville.

She wore a flowing shoulderle­ss black gown that was broken up by patterns of purple and yellow designs that she said was made in Nigeria and that she bought for the film's release and Black History Month.

“Somebody that looks like me is a superhero and nobody is whitewashi­ng it. And it’s beautiful,” she said.

In the nearly 10 years since Marvel’s Iron Man sparked sprawling film superhero universes, there have been plenty of chances for fans to wear clothes that pay homage to favourites such as Spider-Man, Batman, the Hulk and more.

But Black Panther has sparked something different — an opportunit­y for black moviegoers to watch a superhero who not only looks like them, but also introduces a different view of Africa than has traditiona­lly been seen at theatres.

Set in the fictional nation of Wakanda, a technologi­cally advanced oasis that has never been colonized, the film has been praised for its vision of Afrofuturi­sm, strong and smart female characters and a story that shatters stereotype­s about the continent and its people.

The film earned $25.2 million in Thursday showings, making it the biggest debut of a February release and the second-largest early opening of a Marvel Studios feature.

At an early showing at Hollywood’s TCL Chinese Theater, Segun Begunrin and his family wore a bright purple outfit that had special meaning to them.

“This particular fabric meant something personally to me, because it was the fabric that we selected for my father’s funeral. So we did it for the celebratio­n of his life. So it’s a form of celebratio­n for the movie,” he said.

Jacob Taylor also attended an early show in Los Angeles and said the impact of Black Panther extends beyond the African-American community.

“I think it is very indicative of where we are as a culture,” he said. “The push for diversity, inclusion, equal pay — all of that. So, I think it’s just timely.”

At a showing in New York’s Times Square, Mykwain Gainey wore a Basotho blanket used by the Bantu tribe in South Africa.

“It's featured very prominentl­y in the film, and it’s cultural heritage,” he said. Gainey said he wanted something fashionabl­e that fit the film, but he also wanted to stay warm.

Kiara Citron, who is a huge Marvel Comics fan and had a Deadpool-themed wedding, was at the same theatre and wore a bright blue satin gown she spent a week sewing, using leftover fabric for a matching head wrap.

“I just made something for the occasion because I’ve never had an opportunit­y for this before,” she said. “I’ve never gone to a theatre to see a film like this before, so I just really needed to go all out.”

In Nashville, Latarsher White and her family wore custom-made African gowns and suits to a Nashville theatre because it made them feel connected to their heritage.

“It’s just an opportunit­y to explore those regal roots and to know that some of us do come from royalty,” she said. “It’s bigger than what we see every day and what’s represente­d. It’s just connecting to your heritage and that royal lineage to a degree. And so it’s always good to play dress- up.”

Kermit El-Amin, 25, wore his African tribal prints to work before watching the film in Nashville.

“I wanted to make sure that people knew that I really felt comfortabl­e,” El-Amin said. “Feel comfortabl­e in the skin that I am in and feel comfortabl­e doing things like this.”

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