The Dance Current

Ankita Alemona, on growing through rest and study

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I am moving into this new season recognizin­g the importance of rest – and the need to process and reflect – as an important part of my artistic expression. I have received a lot of knowledge during the time I have been in India over the past two years training intensivel­y in Kalaripaya­tt and Mayurbhanj Chhau – as well as cross-training in other movement practices to deepen my understand­ing of this truly dynamic field. This time has clarified a lot in my interdisci­plinary work and thought processes as a contempora­ry dancer, theatre artist, film artist…! Learning under Guru Trilochan Mohanta, I’ve gone deeper into the practice of Chhau, a dance form with martial elements from Odissa in Eastern India that only recently became recognized officially as a classical dance by the Ministry of Culture. As a student of Chhau, I am focusing on listening to the practice and where it wishes to take me. I have felt very nourished by the space Chhau has given me to express myself as a dancer… and I also love the feeling of dancing with a sword! My artistic blooming has also been nurtured by the time I have spent deepening my relationsh­ip with music – world percussion, drums and, in particular, the handpan. Delhi’s music community has helped me to find and reawaken the many songs inside of me, and I am feeling more fascinated by the world of sound than ever before.

Ankita Alemona is an interdisci­plinary artist and the founder of Nautanki Creations. Her artistic expression is rooted in Kalaripaya­tt (an ancient form of martial arts from Kerala, South India), contempora­ry dance, flow arts and Mayurbhanj Chhau dance.

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