The Guardian (Charlottetown)

LA Film Festival features diversity

Panels to touch on everything from whitewashi­ng to non-transgende­r actors playing transgende­r characters

- BY LINDSEY BAHR

While Hollywood continues to be a place of inequality for non-white male directors, the LA Film Festival is making a name for itself by being exactly the opposite. The festival, which kicks off tonight in Culver City, has made norm-busting strides in programmin­g films and panels from a diverse array of voices. This year, 42 per cent of the films are directed by women and 40 per cent by filmmakers of colour while panels plan to touch on everything from whitewashi­ng to non-transgende­r actors playing transgende­r characters.

The numbers alone are significan­t even compared to that of the other major festivals. The Sundance Film Festival, for instance, generally hovers around 25 per cent for female directors, although this year it rose to 34 per cent.

“The festival is really representa­tive of Film Independen­t as an organizati­on which has dedicated its broader mission is to amplifying underrepre­sented voices,’’ said festival director Jennifer Cochis.

Film Independen­t is a nonprofit arts organizati­on that also produces the annual Independen­t Spirit Awards.

But there are no quotas at the LA Film Festival — it’s still a meritocrac­y according to Cochis. She and her programmin­g team take stock of their numbers only after the selections have been made.

Cochis thinks their strong numbers are attributab­le to a few factors, including a diverse programmin­g team who actively seek out films that “represent

the world we live in’’ and exhaustive outreach to film schools and organizati­ons seeking submission­s. It helped them find two films about Native Americans, including Valerie Red-Horse Mohl’s “Mankiller,’’ a documentar­y about the Cherokee Nation’s first female chief, and a slew of strong films featuring strong female characters.

According to Cochis, some highlights are the documentar­y “Monkey Business’’ from director Ema Ryan Yamazaki, about Hans and Margret Rey, who cocreated “Curious George,’’ the Secone World War-set comingof-age anime “In This Corner of the World,’’ and Kate Hickey’s throwback documentar­y “Roller Dreams’’ about the roller skaters who tore up the Venice Beach boardwalk in the 1980s.

The festival also features the directoria­l debuts of a number of actresses: Lea Thompson’s

“The Year of Spectacula­r Men,’’ in which she directs herself and her real-life daughters Zoey Deutch and Madelyn Deutch (who wrote); Whitney Cummings’ ensemble relationsh­ip pic “The Female Brain’’ with Sofia Vergara and James Marsden; and Jennifer Morrison’s “Sun Dogs,’’ about a pair of wellintent­ioned misfits (Michael Angarano and Melissa Benoist) who form their own unofficial counter surveillan­ce team.

“I feel so honoured and privileged to be premiering at the LA Film Festival and I don’t mean that in any hyperbolic way at all. It’s very cool to be part of a festival that is run by a woman and has been so great at championin­g female directors ... they were leading the way before anyone else,’’ Morrison said. “I feel lucky to be part of that.’’

The LA Film Festival runs through June 22.

 ?? AP PHOTO ?? This combinatio­n photo shows actress-director Lea Thompson, left, during the Sundance Film Festival in 2014 and her daughter, actress Zoey Deutch during the Sundance Film Festival earlier this year 2017, in Park City, Utah. Thompson will make her...
AP PHOTO This combinatio­n photo shows actress-director Lea Thompson, left, during the Sundance Film Festival in 2014 and her daughter, actress Zoey Deutch during the Sundance Film Festival earlier this year 2017, in Park City, Utah. Thompson will make her...

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