The Guardian (Charlottetown)

New nature documentar­y shouldn’t be missed

- BY MARK KENNEDY

You think your day was rough? At least you didn’t have to outrace an army of slithering snakes on your first day. Or cross a swollen river filled with hungry predators. Or, despite being exhausted, brave huge Arctic waves to get home.

Such are the daily challenges shown with wondrous detail in the new BBC documentar­y “Earth: One Amazing Day,’’ which gets close enough to some remarkable critters that you can see fur twitch, nostrils flare and even hear them snore.

The Earth might be the film’s titular star but the documentar­y is really about the sun and how that star’s waxing and waning energy over 24 hours shapes life down here, from the warmth of morning to the shadows of night.

“We all have one thing in common: Our lives are driven by the rhythm of night and day,’’ says narrator Robert Redford, whose welcome voice guides viewers through danger and silliness alike.

The film — directed by Richard Dale, Peter Webber and Fan Lixin — comes a decade after the release of the film “Earth,’’ a re-cut version of the BBC series “Planet Earth’’ which took viewers from the North to the South poles. The filmmakers this time call it a whistle-stop exploratio­n of the entire planet. We encourage you to hop aboard.

It starts at a misty dawn with a standard, crowd-pleasing character in nature documentar­ies — a deliriousl­y cute panda cub, waking up. We then go to the African savannah to catch a serval hunting with huge leaps in the air and then to the Pacific to see armies of iguanas on rocks waiting for the sun’s warmth.

As the sun grows stronger, cameras capture another staple of such documentar­ies — the treacherou­s river crossing. This time a zebra foal makes the stomach-twisting attempt and it’s hard not to cheer when she finally makes it.

Other beasts featured are narwhals swimming through ice channels in footage that took a month to film, bears rubbing up on trees to playful music, and a pair of giraffes getting into a fight with their necks in a high noon challenge, like a pair of cowboys.

We see chinstrap penguins struggle with unforgivin­g cliffs to bring home food (and get greeted by their mate’s cute head bob) and sperm whales in the Indian Ocean taking a midday nap vertically, huge and ghostly. It’s remarkable stuff. This is a film that even makes watching bamboo grow via time-lapse fascinatin­g.

The 100-strong camera crew took advantage of leaps in technology, including stronger batteries to help capture animals with more motion-detection devices, the ability to record 1,000 frames per second and improvemen­ts in low-light cinematogr­aphy. There’s one astounding aerial sequence of a racket-tail hummingbir­d facing-off against a swarm of angry bees that is an absolute cinematic triumph.

The music by Alex Heffes (“The Last King of Scotland’’ and “Queen Of Katwe’’) is a welcome accompanim­ent, whether it’s using a 120-piece orchestra and choir to deliver the majesty of the Arctic or channellin­g the playfulnes­s of a Disney movie for a mouse sequence or even giving some moments a Michael Baylike action treatment.

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