The Hamilton Spectator

Charlottes­ville brings fresh perspectiv­e to Mudbound

- LAUREN LA ROSE

TORONTO — “Mudbound” director and cowriter Dee Rees never imagined her exploratio­n of white supremacy during the Second World War would end up echoing modern-day headlines.

The powerful ensemble drama, which screened at the Toronto Internatio­nal Film Festival and hits Netflix Nov. 17, shows the interlaced lives of two families — one black, one white — sharing farmland in the Mississipp­i Delta.

Husband and wife Henry and Laura McAllan (Jason Clarke and Carey Mulligan) are newcomers to the ramshackle property, sharing their cramped, crumbling home with Henry’s racist father, Pappy (Jonathan Banks) who has ties to the Ku Klux Klan. The McAllans meet sharecropp­ers Hap and Florence Jackson (Rob Morgan and Mary J. Blige) who have worked the land for generation­s, trying to rise above the social and racial barriers that seek to oppress them.

Each family has sons who are returning home after the war: Jamie McAllan (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell). They form an unlikely friendship based on their shared experience and the horrors of conflict, but face starkly different realities.

“Mudbound” debuted at the Sundance Film Festival in January, where it was acquired by Netflix.

In the wake of last month’s white supremacis­t rally and deadly protest in Charlottes­ville, Va., Rees said the film will now likely be seen by many viewers through a new perspectiv­e.

“We were at Sundance, and we were at the breakfast bar and we heard these guys talking. And they said: ‘”Mudbound” was good, but I thought the Klan scene was over the top,’” Rees recalled during an interview in Toronto.

“Those two guys probably won’t think the Klan scene is over the top now that we’ve literally seen guys marching in the streets with brass knuckles and pepper spray and shields.

“I think it might change how people receive it, but it doesn’t change the spirit in which the film was made. It doesn’t change the reality of the place in which we live.”

Violence broke out in Charlottes­ville after a loosely connected mix of white nationalis­ts, neo-Nazis and other far-right extremists assembled to protest the city’s decision to remove a towering statue of Confederat­e Gen. Robert E. Lee. Heather Heyer was killed when a man plowed his car into a crowd of counterpro­testers.

The clash came on the heels of a white nationalis­t rally the night prior on the University of Virginia campus, where torch-wielding demonstrat­ors spouted racial slurs as they marched.

“These things aren’t new. Even police brutality is not new, it’s just now in the age of cellphone recordings it’s being captured,” said Rees.

“Of all the names we know, there’s probably 100 other names we don’t know and we’ll never know ... I think people who are in denial about who we are as a country now have to be shaken out of that denial.”

The Canadian Press With files from The Associated Press

 ?? STEVE DIETL, SUNDANCE ?? Jason Mitchell and Garrett Hedlund in “Mudbound” by Dee Rees, an official selection of the premières program at the 2017 Sundance Film Festival.
STEVE DIETL, SUNDANCE Jason Mitchell and Garrett Hedlund in “Mudbound” by Dee Rees, an official selection of the premières program at the 2017 Sundance Film Festival.
 ?? TIFF IMAGE ?? The powerful ensemble drama, which is screening at the Toronto Internatio­nal Film Festival, hits Netflix Nov. 17.
TIFF IMAGE The powerful ensemble drama, which is screening at the Toronto Internatio­nal Film Festival, hits Netflix Nov. 17.

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