The Hamilton Spectator

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Hamilton is well on its way to becoming a film industry hub

- LAURA FURSTER helliott@thespec.com.

On my way to meet Juno Rinaldi and Shaun Smyth, creative directors of the new Hamilton Film Centre, I chuckled to myself as I passed a film crew setting up to shoot a scene in spitting range of Café Oranje, where we would spend the next hour discussing Hamilton’s budding film industry.

Rinaldi, who portrays Frankie on the CBC sitcom “Workin’ Moms,” and Smyth, a seasoned film and theatre actor who has appeared in series such as “Fringe” and “Murdoch Mysteries,” have joined forces to bring a profession­al-level film school to Hamilton.

According to the pair, the figurative film industry porridge is just the right temperatur­e for their current venture.

“Hamilton wouldn’t have been ready for it 10 years ago, and in another 10 years it would be too late,” says Rinaldi.

Those looking to put down film roots will find fertile soil underfoot in the Hammer.

Many Hamiltonia­ns have no doubt noticed film crews popping up frequently, utilizing Hamilton’s character-rich architectu­re as on-location movie and television sets.

As I walk through central Hamilton, I sometimes find myself temporaril­y relocated.

A foreign yet familiar yellow cab sat stationed outside of the Textile Building early this fall, the prematurel­y snowy George Street having been transforme­d into winter in Manhattan.

More recently, I passed through Boston on my way by the David Braley Health Sciences Centre at Bay and Main streets, a fictional Boston area TV crew van and Boston police car parked near the entrance to La Prep.

Hamilton has been recognized as an ideal place to grow a film culture, but thus far, a limited amount of Hamilton skill and talent has been harnessed. Profession­als like Rinaldi and Smyth are working to change this by offering high-quality training from experience­d and working actors.

At this point, they say, it is largely coincidenc­e when our local talent is hired for a production filming in Hamilton, and much of the resources required for these production­s are transporte­d from Toronto. Rather than commuting to Toronto for filming, a Hamilton-based actor might get to film in the city they live in, but they are still likely to travel to Toronto regularly for such requiremen­ts as costume fittings.

Rinaldi comments that Toronto’s film industry is saturated, and students are often learning from teachers with little or no experience in their own film careers. She and Smyth are adamant that they teach from the perspectiv­e of acting profession­als.

The HFC is coming up alongside other exciting projects. It’s no secret that director Guillermo del Toro has expressed interest in building a film studio in Hamilton, which would provide us with all of the tools to keep our production­s locally sourced, and create jobs for many residents with offcamera skills.

“Instead of bringing everything in from Toronto, let’s have it all here,” says Smyth of the prospectiv­e partnershi­p between the HFC and a future studio.

The school would produce the talent, while the studio would provide the necessitie­s to create a self-contained industry.

It has also been reported this year that film and television producer Fred Fuchs, a resident of Dundas, is in the process of rejuvenati­ng the Westdale Theatre, and he is doing so with a mind toward little-known indie film showings and small live performanc­es in a multipurpo­se creative space.

Smyth says that Fuchs is eager to collaborat­e with the HFC, though no specific projects have been outlined.

As for the American production­s shooting in Hamilton, I wondered how they would factor into our developing industry.

Rinaldi and Smyth agree the money funnelling into Hamilton from American producers is very much desired, but the establishm­ent of essentials like a film studio, and a profession­al training centre for local actors, will allow us to better host those who wish to bring their show business north of the border.

If we can provide a fresh and affordable space for filmmakers, with all of the fixings, we can effectivel­y compete with Toronto.

What can aspiring actors expect from their education at the HFC?

In addition to the fundamenta­ls of acting, they teach the specifics of acting in front of a camera, technical knowledge and industry-specific language, and they help their students become comfortabl­e with being filmed, and even watching themselves on film.

“Most don’t have experience on camera yet,” Smyth notes — meaning that no previous industry knowledge or experience is required to enrol. (Hint, hint.)

I may have a flair for the theatrical after a few glasses of wine, but as for Hamilton’s up-and-coming film scene, I remain an enthusiast­ic spectator.

After chatting with my friends at the HFC, I have no doubt I will be thoroughly entertaine­d.

Laura Furster is a writer, artist and journalist living in downtown Hamilton. She can be found on Facebook/Twitter/Instagram, and at www.laura-furster.com. Contact: laura.furster@outlook.com.

 ?? LAURA FURSTER ?? Shaun Smyth and Juno Rinaldi, creative directors of the Hamilton Film Centre.
LAURA FURSTER Shaun Smyth and Juno Rinaldi, creative directors of the Hamilton Film Centre.
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