The Hamilton Spectator

That old fussy china can fit your casual lifestyle

- JURA KONCIUS

WASHINGTON — The stacks of old family china sitting forlornly in sideboards, cabinets and boxes in many homes reflect the state of entertaini­ng today.

Many millennial­s aren’t wild about their grandmothe­rs’ flowered formal plates, preferring their own plain white wedding dishes. Gen Xers and boomers, who often gravitate to dining at a kitchen island, rarely bother to pull out the “good stuff” and are already trying to unload it.

The curators at Hillwood Estate, Museum & Gardens, the grand home of the late hostess Marjorie Merriweath­er Post, thought about this lifestyle shift when they conceived their latest special exhibit. “The Artistic Table: Contempora­ry Tastemaker­s Present Inspired Table Settings” highlights Post’s collection­s of Russian imperial and 18th-century French porcelain and other luxurious tableware from her years of entertaini­ng. Curators asked a group of interior designers to combine Post’s formal porcelains, glassware and silver with contempora­ry pieces, to showcase new ideas for table settings.

Post entertaine­d lavishly at Hillwood and her other estates, which include Mara-Lago in Palm Beach, Fla., now owned by President Donald Trump, and Camp Topridge, an Adirondack lodge. If there was one lesson to be learned from Post, it was not to be afraid of your nice things, according to Estella Chung, director of collection­s at Hillwood, the estate that Post bought in 1955 and owned until her death in 1973.

Every few weeks Post would host a formal dinner, garden party or tea, pulling out her silver lobster forks, 18th-century Russian goblets and gold jelly spoons. She was eager to preserve her collection­s and lifestyle for future generation­s. “She knew an era was ending,” Chung says.

“Her house was the American version of a European country house, and she knew that style of entertaini­ng and staffing was coming to an end.”

In this exhibit, Post’s historic tableware is displayed throughout the mansion, from a formal dinner featuring seven Russian services in the dining room to a breakfast tray with violet-sprigged dishes in her bedroom.

Don’t set your table like your grandmothe­r did

When New York designer Alex Papachrist­idis decorated the silver-and-gold dining room at the Kips Bay show house a couple of years ago, people would tell him, “My kids don’t want my china.” He has tried to give them advice on ways to make table setting more approachab­le yet still elegant.

“Play with what you have. If you have antique dishes, find a bold coloured solid dish that looks nice with it and some funky modern flatware. Throw in an unusual hand-painted glass from a vintage store.”

Use something unexpected, such as a leopard-print tablecloth.

Never set the table the same way twice

If you have old-fashioned floral china, add glass plates in jewel tones to update the table. Instead of white napkins, collect linen squares in different colours and keep them ironed and ready to go, Dixon says. If you have an extra yard of fabric from curtains or pillows, use it to make napkins that tie your table to the interiors.

Don’t be afraid to put your china in the dishwasher

Designer Timothy Corrigan, who has offices in Los Angeles and Paris, uses his family and vintage porcelain collection daily and loads it all into the dishwasher. (Many dishwasher­s have a special, gentler “china” setting.)

But don’t stick your fragile crystal in the dishwasher — that’s better off being washed by hand.

Don’t worry about making fancy food

Some people fear entertaini­ng because they don’t enjoy or feel confident about cooking. That is no excuse for not using your good china, says Hutton Wilkinson, president of Los Angeles-based Tony Duquette. “It’s really more about the presentati­on. But of course, it helps if the food tastes good, too.”

 ?? PHOTOS BY KATHERINE FREY THE WASHINGTON POST ?? Charlotte Moss envisioned a weekend at Camp Topridge, Marjorie Merriweath­er Post’s Adirondack home, in her vignette, using Post’s Peony Service from China from about 1770. She set up a buffet table against a photo mural of the Topridge boathouse. The...
PHOTOS BY KATHERINE FREY THE WASHINGTON POST Charlotte Moss envisioned a weekend at Camp Topridge, Marjorie Merriweath­er Post’s Adirondack home, in her vignette, using Post’s Peony Service from China from about 1770. She set up a buffet table against a photo mural of the Topridge boathouse. The...
 ??  ?? Timothy Corrigan created a table setting to celebrate French gardens anchored by a pair of Post’s 1909 silver candelabra by Tiffany. The green damask tablecloth (of Chateau Silk Damask, designed by Corrigan for Schumacher) sets off china of his own...
Timothy Corrigan created a table setting to celebrate French gardens anchored by a pair of Post’s 1909 silver candelabra by Tiffany. The green damask tablecloth (of Chateau Silk Damask, designed by Corrigan for Schumacher) sets off china of his own...
 ??  ?? Hutton Wilkinson and Josh Hildreth created one of six vignettes for the exhibit “The Artistic Table” at Hillwood Estate, the Washington home of late hostess Marjorie Merriweath­er Post. The settings combine Post’s historic tableware collection with...
Hutton Wilkinson and Josh Hildreth created one of six vignettes for the exhibit “The Artistic Table” at Hillwood Estate, the Washington home of late hostess Marjorie Merriweath­er Post. The settings combine Post’s historic tableware collection with...
 ??  ?? The table setting by Alex Papachrist­idis features Marjorie Merriweath­er Post’s French Sèvres 1768 porcelain along with a custom tablecloth and monogramme­d napkins that tie into the blues, purples and pinks of the plates. The gold salt and pepper...
The table setting by Alex Papachrist­idis features Marjorie Merriweath­er Post’s French Sèvres 1768 porcelain along with a custom tablecloth and monogramme­d napkins that tie into the blues, purples and pinks of the plates. The gold salt and pepper...

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