The Hamilton Spectator

Lucero’s sound reflects polish of 20-year journey

- SCOTT STROUD

Lucero has put out great records before, but for whatever reason — geography, confusion over genre, a lack of recognitio­n from those who decide what gets heard — the Memphis-based quintet has never attained the level of stardom it probably deserves.

With “Among the Ghosts,” its ninth studio album, a fine underthe-radar rock ’n’ roll band keeps getting better. Its songs are better-crafted, its lyrics and playing are more mature, and the roughhewn sound that was always charming but rarely transcende­nt is as good as it has ever been.

Gone are the piano and guitar licks that occasional­ly sounded too much like Bruce Springstee­n, though he remains an obvious influence. Gone, too, are the petulant lyrics that sometimes stood between singer-songwriter Ben Nichols and greatness (a certain love song to his guitar comes to mind).

In their place are gritty meditation­s on homesickne­ss, poignant storytelli­ng built around a Civil War soldier’s letter home, and honest, heartfelt love songs.

Nichols’ maturity is obvious, though he’s as vulnerable as ever. In the title cut, he pines from the road for his wife and baby girl, singing wistfully that “the first word she learned to say was goodbye.”

The band’s playing rises to the challenge such intimate lyrics pose. Rick Steff’s piano is less derivative, a more subtle complement to the gritty guitar playing that still drives the band’s sound. The effect is more sophistica­ted without losing the rawness that always gave Lucero its edge — which might just make this the band’s finest album yet.

 ?? THE ASSOCIATED PRESS ?? "Among the Ghosts," by Lucero. (Liberty and Lament/Thirty Tigers)
THE ASSOCIATED PRESS "Among the Ghosts," by Lucero. (Liberty and Lament/Thirty Tigers)

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