The Hamilton Spectator

Jim Lauderdale is consistent­ly grand on Time Flies

- PABLO GORONDI

Jim Lauderdale is a steady geyser of Americana, releasing over two dozen solo albums and collaborat­ions and writing for and with many mostly country musicians — from George Strait to Rodney Crowell and from the Dixie Chicks to George Jones — at a steaming pace.

Being prolific, however, would not mean much if Lauderdale’s songwritin­g and singing weren’t as consistent­ly great as “Time Flies” once again demonstrat­es.

The first half of the album explores classic and contempora­ry country sounds: the melancholy title track, the environmen­tally conscious “The Road Is a River,” the Willie Nelson-like “Slow As Molasses” and “When I Held the Cards,” a tear-jerker of a hard-luck story.

There’s even more variety later, including the noir-ish “Wearing Out Your Cool,” sax solo included, and two swinging tunes in “Wild on Me Fast” and “While You’re Hoping,” with echoes of Leon Russell and Dr. John and mentions of everyone from Cleopatra to Monet.

Also seeing its long-delayed release simultaneo­usly with “Time Flies” is Lauderdale’s first full album, a 1979 collaborat­ion with bluegrass great Roland White, which they recorded in Earl Scruggs’ basement.

With top-notch backing from guitarist Chris Scruggs and bassist Jay Weaver, “Time Flies” continues Lauderdale’s prolonged streak of unfailing quality, memorable songs and great performanc­es.

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