The Hamilton Spectator

Neil and Liam Finn get dreamy on Lightsleep­er

- PABLO GORONDI

“Lightsleep­er” is the result of another crowded house at the Finn residence. The album principals, father Neil and son Liam, get the rest of the family involved — mother Sharon, son Elroy, nephew Harper — and also provide room and board to one of Neil’s new Fleetwood Mac bandmates, Mick Fleetwood.

On the surface, “Lightsleep­er” is closer to the Finn family’s foundation­al Split Enz era than to the more renowned Crowded House production­s, with dreamy atmosphere­s, multi-section song structures and hazy shades of melody providing the framework, not tight pop songs with instantly memorable refrains.

Most of the tracks are fatherand-son co-writes, but Neil wrote album opener “Prelude-Island of Peace” with an uplifting, congenial choir.

“Meet Me In The Air” follows, its relaxed harmonies harking back to the “Surf ’s Up”-period Beach Boys, while “Where’s My Room,” which seems to describe a musician’s unenviable condition near the end of a long tour, begins with what sounds like an updated Roland drum machine and, over seven minutes across various “movements,” keeps adding elements, including a string section that at times emulates the sounds of Philly soul.

The theatrical, character-rich “Ghosts” is where the Split Enz influence is clearest, while album finale “Hold Her Close” is a lullaby that includes practical tips for parents.

As with any music involving a Finn, the vocals are one of the main reasons for listening and the father-son combinatio­n on this album more than meets expectatio­ns.

 ?? THE ASSOCIATED PRESS ?? Neil & Liam Finn, “Lightsleep­er” (Inertia/PIAS)
THE ASSOCIATED PRESS Neil & Liam Finn, “Lightsleep­er” (Inertia/PIAS)

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