The Hamilton Spectator

Imagine Dragons deliver again but differentl­y

- MARK KENNEDY

Do Imagine Dragons ever sleep? Less than a year and a half after releasing the double-platinum album “Evolve” and crisscross­ing the globe on a 100-date tour, the band is back with a dozen new songs. Whew.

“Origins” is supposed to be a sister companion to last year’s monster “Evolve” and it’s an intriguing followup, offering more textures and sonic experiment­s. If “Origins” was the band stalking around as an arena powerhouse, “Origins” is their quirky little sister, making cool stuff in her bedroom.

Don’t let the first single, “Natural,” fool you. That slice of bombastic, fist-pumping bravado seems to indicate more of the same on “Origins,” but they drift into other areas, like the blissed-out summer jam “Cool Out” that could be on a DNCE album, and the gloriously anarchic, disruptive “Digital,” which plays with dub step and chops itself into pieces.

The album sees the Dragons again reteaming with producers Alex da Kid and Mattman & Robin — folks who have delivered some of the band’s biggest hits — but, to everyone’s credit, not doing more of the same.

“Bullet in a Gun” is fresh with unpredicta­ble electronic flourishes, and the club-ready “Only” has interestin­g temp shifts and unexpected layered parts, as if the Dragons are fighting monotony this time. “West Coast” is basically a folky tune that could happily sit in a Lumineers album — how’s that for predictabl­e?

The new album extends the band’s flirtation with Charles Darwin — taking its name from “On the Origin of Species” and coming right after “Evolve.” In some ways, the names should be reversed: “Origins” shows their sound really evolving.

 ?? THE ASSOCIATED PRESS ?? Imagine Dragons, "Origins" (Interscope)
THE ASSOCIATED PRESS Imagine Dragons, "Origins" (Interscope)

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