The Hamilton Spectator

Jane Lynch gets tuneful

- ALLISON STEWART

Long before she played Sue Sylvester on “Glee,” actress Jane Lynch was a kid growing up in the South Side Chicago village of Dolton who really, really loved Christmas.

Lynch went on to land careerchan­ging roles in films like “Best in Show” and the “40-Year-Old Virgin” before “Glee” came along in 2009. It wasn’t until 2016 that Lynch teamed up with longtime friend Kate Flannery (who played Meredith on “The Office”), a quintet led by jazz trumpeter Tony Guerrero, and Tim Davis, the vocal arranger on “Glee,” to record “A Swingin’ Little Christmas,” a retro collection of new and classic holiday songs inspired by Lynch’s longtime affection for Christmas music.

Much to everyone’s surprise, it landed in Billboard’s Top 10, and has spawned an annual tour.

Post-“Glee,” Lynch has worked without pause, doing voice-overs for animated films like “Ralph Breaks the Internet,” singing in cabaret shows, guest-starring on Amazon’s “The Marvelous Mrs. Maisel,” and hosting the series “Hollywood Game Night” (she was nominated for Emmys for the latter two).

“I really enjoy the immersion in a project,” Lynch says in a phone interview, at home on a break from her Christmas tour. “Every part of me being used.”

The following is an edited version of that conversati­on:

Are you a big Christmas person?

Yes. I grew up in Chicago, and nobody does Christmas like Chicago. We would play the same albums over and over every Christmas. They were those beautiful late ’50s, early ’60s Jane Lynch, who voices Calhoun in “Ralph Breaks the Internet,” has a collection of holiday songs out.

arrangemen­ts that Bing Crosby and Rosemary Clooney and the Andrews Sisters would do. Our album and our show is right in the pocket in terms of style of music. It’s reminiscen­t of those sentimenta­l Christmas songs.

You and Kate Flannery met in Chicago, when you were both starting out.

We were at Second City at about the same time, but we really cemented our friendship and our working relationsh­ip when we were at the Annoyance Theatre. We got to know each other a little better there, and started singing together there. We both moved to L.A. with (the stage show) “The Real Live Brady Bunch,” and continued doing sketch comedy together, and Kate and I would always find a way to do a song. Around 2014, when I was offered four nights at (a cabaret space), I called her and said, “We have to do this together.”

There haven’t been any new classic Christmas songs in such a long time. Why do you think that is?

I think it’s the whole idea of Christmas, and the whole feeling of Christmas summed up in those songs that were recorded in the ’50s and ’60s. That cemented Christmas sentiment in our heart. Some new songs have come along, but rock ’n’ roll never really lent itself to Christmas music. We really do like those lush orchestral arrangemen­ts of Christmas carols. That whole idea of Christmas albums and playing Christmas music didn’t even start ’til the ’50s and ’60s, and it kind of stopped there, too.

It must be constant good vibes to go out there and do Christmas songs every night. Everybody’s feeling sentimenta­l, and happy to see you.

That’s exactly what it is. Everybody comes in their Christmas sweaters, so happy to be celebratin­g the season. We started last week, and it’s not even Thanksgivi­ng and people were showing in up in their Christmas sweaters. Everybody comes ready to bask in the glow.

In L.A., is there a fraternity of actors from Chicago who gravitate toward each other?

Yeah, especially when you first move out here. I hung out with nobody but Chicago people, we lived in the same neighbourh­ood, we performed together (doing sketch comedy).

I started to meet people from the Groundling­s — Will Ferrell, Chris Kattan, Molly Shannon joined us — so we stretched our tentacles out and started hanging out with other people. We started out together, and we still get together from time to time, but everybody’s married now and has kids, except for Kate and I, being two barren women. We thought that might be the name for our next show, but we decided to call it “Two Lost Souls” instead.

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