The Hamilton Spectator

Lori Yates passing on her songwritin­g skills

At the Creative Genius workshop, she’s there to teach, not sing

- GRAHAM ROCKINGHAM grockingha­m@thespec.com 905-526-3331 | @RockatTheS­pec

Don’t enrol in Lori Yates’s Creative Genius songwritin­g workshop expecting to hear her sing. It doesn’t work that way.

Yates possesses one of the best voices in Canadian country music and she can probably make any song sound sweet, even yours. But she’s there to teach, not sing.

She possesses more than 30 years of recording and performing experience, signing her first recording contract with Columbia Nashville back in the late ’80s.

She’s recorded with Gregg Allman, Jim Cuddy and Rick Danko; toured with Dwight Yoakam, Faith Hill and Steve Earle; and written with Hall of Famers and Grammy winners — Guy Clark, Don Schlitz and Matraca Berg.

Yates knows what she’s doing. Which is why no one feels embarrasse­d when she starts class off with a series of limbering-up and breathing exercises.

“Breathing is your friend,” Yates says. “If you’re going to sing, you need to have your diaphragm working. It also controls your fear. So let’s shake off some fear.”

So starts the third class of the 21st Creative Genius workshop.

The entire course covers six weeks. The goal is for each participan­t to have two songs recorded at Downtown Sound Recording Studios on Barton Street and then performed before a live audience Thursday, Feb. 21, 8 p.m., at Zylas, 229 James St. N. (the public is invited).

Yates limits the size of each six-week session. There are only four people in the current class.

She’s been holding these classes for more than three years. So far, more than a hundred people have graduated from her course.

This class is being held at the boardroom of the Hotel Hamilton, an artist enclave on James Street North above the Mulberry Coffeehous­e.

The participan­ts are a diverse group.

Gina Monaco is a marketing director for a local mortgage company. She’s also got a background in journalism and has taken music courses at Mohawk College. Monaco loves singing, but admits she needs help writing the songs.

The week before, Yates was helping Monaco on chord progressio­n. It helped. Now she’s having a tough time with melody.

“I’m a profession­al writer and I write every day, but this confounds me,” Monaco says. She’s frustrated, but a run-through of her song shows she’s making progress.

“You have to have a beginner’s mind,” Yates tells her. “It’s not about thinking, it’s always about feeling.”

Fern Fresco, who works in the engineerin­g department of a local stair company, has come back for his second workshop, having also taken the course last year.

Fresco admits to not completing last week’s homework assignment, but wants to try out something that came to him while walking his dog that morning. He hasn’t brought his guitar, so he uses Yates’s.

He offers up two verses that contain some vivid imagery. Applause all around. Yates reminds him he must now finish it.

“Lori kicks me in the butt to get the songs going,” Fresco says when asked later why he signed up for the course a second time. “She’s awesome.”

Gavin O’Sullivan is probably the most experience­d of the class. He has played drums, guitar and sung in local bands dating back to the ’90s, including The Rayburns and All Good Children.

O’Sullivan offers up a song that had its genesis driving home from the West Coast. It only needs a few tweaks. He’s taken some advice from Yates and dropped into a lower key. It seems to work.

“This workshop keeps you on track,” O’Sullivan says. “It makes you more accountabl­e.”

There are tips on registerin­g songs with SOCAN and working with the Songwriter­s Associatio­n of Canada.

Yates also gives the group some practical advice about live performanc­e. It’s a matter of confidence, she explains. Don’t get worried if you make a mistake. The audience won’t likely notice.

Yates moved to Hamilton in 2002 after a solo recording career in Nashville and working in Toronto with bands Rang Tango and Hey Stella. She still performs regularly in clubs in Hamilton and Toronto.

Creative Genius is a business for Yates — the fee is $425 for the course, including the recording studio time. But it’s also a labour of love and a lot of fun.

“It’s an honour for me to be able to foster people’s creativity,” she says after class. “I love being involved with creativity.”

 ?? PHOTOS BY JOHN RENNISON THE HAMILTON SPECTATOR ?? Lori Yates has a singing and songwritin­g career that includes album recordings in Nashville for Columbia Records.
PHOTOS BY JOHN RENNISON THE HAMILTON SPECTATOR Lori Yates has a singing and songwritin­g career that includes album recordings in Nashville for Columbia Records.
 ??  ?? Gavin O’Sullivan performs his song “Highway Home” for the class.
Gavin O’Sullivan performs his song “Highway Home” for the class.
 ??  ?? Lori Yates has been running Creative Genius songwritin­g workshops for three years. Here she adjusts the microphone stand for Gina Monaco.
Lori Yates has been running Creative Genius songwritin­g workshops for three years. Here she adjusts the microphone stand for Gina Monaco.
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