The Hamilton Spectator

McMaster prof explores history of Indigenous ‘skywalkers’ in new film

- GRANT LAFLECHE THE HAMILTON SPECTATOR GRANT LAFLECHE IS AN INVESTIGAT­IVE REPORTER WITH THE SPECTATOR. REACH HIM VIA EMAIL: GLAFLECHE@TORSTAR.CA

When Allan Downey looks at New York City’s Empire State Building or Rockefelle­r Center, he doesn’t see icons of American industry, but rather symbols of Indigenous independen­ce.

“When I see these buildings, I reframe them as the scaffoldin­g of Indigenous self-determinat­ion and sovereignt­y, because Indigenous peoples built them,” said Downey, an associate professor of history at McMaster University.

Downey has produced a short animated film and is writing a book on the history of the Indigenous ironworker­s, specifical­ly Haudenosau­nee workers, from Canada who did vital work in constructi­ng the Empire State Building, the Brooklyn Bridge and other iconic landmarks.

He says those workers — who became famous as “skywalkers” because of the dangerous steel work they did while building those structures at great heights — had to assert their territoria­l rights to be on the job sites. A famous photograph featuring workers sitting on a beam high above the city during the constructi­on of the Rockefelle­r Center in 1932 includes Peter Rice, a Mohawk ironworker from Kahnawake, Que.

The early 20th century saw Indigenous people in Canada being excluded from urban settings, Downey said, because they were regarded in pejorative terms as being “primitive” and the antithesis of modern city life.

“But the truth is there is a long Indigenous history in urban settings,” he said.

There were good jobs to be had in building bridges, skyscraper­s and other massive works of steel and iron, particular­ly in constructi­on boom towns like New York City. Although it’s located in the United States, Indigenous ironworker­s leaned on treaties that recognized their territorie­s crossed the Canada-U.S. border. Those treaties held up in court challenges, giving the workers the right to walk the high steel.

“The reason why they’re able to be there to build these things in the first place is because they are activating their self-determinat­ion,” Downey said.

Downey began researchin­g the history of Indigenous ironworker­s while doing work on the history of lacrosse. He said he kept encounteri­ng stories of Indigenous players who had connection­s to the ironworker­s, including many who worked on those buildings.

Records show that Haudenosau­nee men got into ironwork in 1885 when the Canadian Pacific Railway built a rail bridge through Indigenous land to connect the Island of Montreal with Kahnawake.

Those communitie­s negotiated with the railway to ensure their people got jobs to build the bridge.

“They were going to be dispossess­ed of their land regardless, so they got the best deal they could and participat­ed in the project” Downey said. “And that is their entry point into the industry of ironworkin­g.”

With massive steelworks going up across North America, these Haudenosau­nee ironworker­s travelled to the United States for work.

“It was good work, good paying jobs, to support their families,” said Downey.

Once in New York City, the workers establishe­d their own community, known as Little Caughnawag­a in Brooklyn, bringing more of their friends and family from Canada.

But American authoritie­s were not thrilled with what they considered illegal immigrants setting up shop.

Downey said in 1926, Mohawk ironworker Paul Diabo was arrested and charged with being an illegal immigrant. However, Diabo asserted that under the terms of a 1794 treaty, he had every right to move freely between Canada and the U.S.

Downey said the treaty recognized Haudenosau­nee territory existed despite the new colonial borders, and Haudenosau­nee people could move through that territory without needing permission from the U.S. government.

“He won in court,” Downey said. That court victory, which he sees as Indigenous people successful­ly asserting their own sovereignt­y within the American system, allowed the community of workers to thrive in New York City. The community became world famous, Downey said, thanks to a 1952 National Geographic story about Mohawk ironworker­s.

“That really kind of thrust them into the American public consciousn­ess and internatio­nal consciousn­ess,” he said.

“Non-Indigenous peoples were being exposed to this history, to these individual­s, that had actually been in the urban environmen­ts for decades.”

As highways between Canada and the U.S. were built, many ironworker­s opted to travel back and forth, rather than stay in Little Caughnawag­a. In time, the community shrunk, but Downey said the presence of Indigenous ironworker­s remains and some worked on the new World Trade Center building erected in 2013 to replace one of the buildings destroyed on 9-11.

Downey will be screening his film, “Rotinonhsi­ón:ni Ironworker­s” and giving a talk about the history of Little Caughnawag­a on Monday from 3 to 5 p.m. in the L.R. Wilson Hall Community Room (1003) at McMaster. Registrati­on is free.

‘‘ When I see these buildings, I reframe them as the scaffoldin­g of Indigenous self-determinat­ion and sovereignt­y.

ALLAN DOWNEY MCMASTER UNIVERSITY ASSOCIATE PROFESSOR

 ?? ?? An interpreta­tion of a famous 1932 photo of ironworker­s having lunch on the partially constructe­d Rockefelle­r Center as it appears in McMaster University professor Allan Downey’s short film “Rotinonhsi­ón:ni Ironworker­s.” It will have a screening Monday.
An interpreta­tion of a famous 1932 photo of ironworker­s having lunch on the partially constructe­d Rockefelle­r Center as it appears in McMaster University professor Allan Downey’s short film “Rotinonhsi­ón:ni Ironworker­s.” It will have a screening Monday.

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