A comic book genius targets the industry
Under the Banner of King Death
By David Lester and Marcus Rediker, with Paul Buhle
Beacon Press; 136 pages; $23.95 The concept of pirates as Robin Hood figures is central to this gripping book from the same trio who, two years ago, brought us “Prophet Against Slavery,” the story of 18th-century radical Benjamin Lay. That was a superb read and so is this new book asking us to take a new look at the scourge of the high seas during those same times.
It’s exciting stuff, a real page-turner filled with sea battles, rescues, secret passion and unavoidable tragedy.
But it’s all based in fact and Rediker’s historical research.
The suggestion is that many pirates, mistreated as British sailors, were right to rebel and form their own crews.
Their behaviour as pirates follows ideas of social justice, egalitarianism and even redistribution of wealth, and there’s an anti-slavery message here, as the crew satisfyingly free others from bondage.
Look out for this book: it’s a hidden treasure.
Public Domain presents a fictionalized version of what happens when creativity meets capitalism, and it’s hilarious and horrible
Public Domain
By Chip Zdarsky
Image Comics; 120 pages; $22.99 With “Public Domain,” Chip Zdarsky, Toronto’s perennially fascinating comic book genius, has again created a title in which every twist is a treat. This time he zeroes in on an apparently indestructible target: the comic book industry itself.
It’s the story of Syd Dallas, who created superhero the Domain in comic books and quietly watched others get rich off his work. His sons want him to fight for their family’s legacy, but will he?
The story reflects reality, of course. The comics industry will break your heart, as the great Jack Kirby might have said; there are countless examples of creators losing out against big business, especially Kirby himself.
Public Domain presents a fictionalized version of what happens when creativity meets capitalism, and it’s hilarious and horrible. The series continues monthly and this collection of issues 1 to 5 just landed in bookstores.
Don’t sleep on it.
Brooklyn’s Last Secret
By Leslie Stein
Drawn & Quarterly; 296 pages; $34.95
It isn’t hard to find examples of bands-ontour humour — insert your own “This Is Spinal Tap” reference here — and “Brooklyn’s Last Secret” joins them as a terrific piece of entertainment.
These are the tour bus tales of Major Threat, a rock band in search of a big break and made up of four characters more complex than they first seem.
Yes, there are the types of incidents you might expect, from onstage shenanigans to hedonistic excess, but the heart of this book is in the band’s softer moments, especially their chats on the tour bus. It’s not a very rock ’n’ roll word, but this storytelling is lovely.
This is Leslie Stein’s first fulllength fiction book and her style is delightful, built on clever cartooning techniques with colour to make everything pop.
This is a great book to dip into, enjoy and pass on to a music fan.
Godhead 2
By Ho Che Anderson Fantagraphics; 172 pages; $33.50
It’s always fun to read a graphic novel with an experimental tone, and Toronto creator Anderson has such a unique work in “Godhead” and the newly released conclusion, “Godhead 2.”
Echoing independent comics through the decades, writer/artist Anderson presents a lurid, sordid side of corporate life in a near-future setting with, in the sequel, a heavy layer of action movie adventure. There’s a pulpy plot of soldiers assaulting the evil science lab, where the bad guys have made a machine for talking to God, and much of the action comes in unstructured, free flow storytelling that keeps the experience challenging.
It’s also worth noting few publishers allow the space to experiment that creators are afforded by Fantagraphics, home of underground masterpiece “Love and Rockets.” Long may it continue; “Godhead” and “Godhead 2” are weird books that make the medium better.