The McGill Daily

Local and political festivals

- —Coco Zhou

This year, Montreal saw the success of many arts festivals, a number of which had a distinctly political focus. The Montreal Internatio­nal Black Film Festival held a variety of thought-provoking screenings and panels, welcoming filmmakers like Laurens Grant to share their thoughts on representa­tions of Blackness in media and the current state of anti-racist movements (“Change does not come quietly,” Rosie Long Decter, October 17). The South Asian Film Festival showcased films from various parts of the subcontine­nt, providing opportunit­ies for bonding among diasporic communitie­s (“Comfort food for the diaspora,” Sarah Shahid, November 21).

The highly anticipate­d Montreal Biennale attracted a great number of local and internatio­nal viewers and featured an impressive line of artists, though some found it thematical­ly ambiguous and uncritical (“The grand balcony of capitalism,” Josephine Bird, October 31). The locally produced Art Matters Festival had much more of a clearer focus, choosing to emphasize accessibil­ity to art in the staging of their exhibits (“Accessibil­ity in artistic spaces,” Taylor Mitchell, March 13).

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