The Niagara Falls Review

Much to be proud of, Oscars prez says

- ANDREW DALTON

LOS ANGELES — The president of the film academy has sent an e-mail to its members telling them they have much to be proud of after this year’s Oscars ceremony, and reassuring them changes will be made to avoid a repeat of problems like the botched best picture announceme­nt that closed the show.

An Academy of Motion Picture Arts and Sciences spokesman confirmed the contents of the e-mail Thursday night.

In it, academy president Cheryl Boone Isaacs calls Sunday’s show “one of the best — and certainly most dramatic and talked-about — Oscar ceremonies of all time,” giving a subtle nod to the mistaken naming of La La Land as best picture before the correct winner Moonlight was eventually revealed.

Isaacs goes on to give a set of bullet-pointed items she says the academy — a group of about 6,000 people from the film industry who vote for the Oscars — should be proud of.

They include the “impeccable and effortless hosting job by Jimmy Kimmel,” the “electric opening number” from Justin Timberlake and the tribute to Katherine Johnson, one of the real-life women who inspired Hidden Figures. She then addresses the best picture flub and PwC, the accounting firm that has taken responsibi­lity for it.

“By now, thanks to the nonstop coverage the past few days, we all know that the wrong envelope and the problems that ensued were caused by the failure of PwC’s accountant­s to follow establishe­d protocols and their delay in immediatel­y remedying the situation,” Isaacs said. “Rest assured changes will be implemente­d to ensure this never happens again.”

Her comments echo much of what she said in an interview on Wednesday. She was more forceful in her discussion of the big mistake, however, saying the two accountant­s responsibl­e will never work for the Oscars again.

In her e-mail, Isaacs said the academy is most proud of the way everyone involved in the mix-up handled themselves, from presenters Faye Dunaway and Warren Beatty to the filmmakers of the two movies.

“The grace and humility they demonstrat­ed onstage, with the world watching,” he said, “show the strength of the bond that connects all the artists in our community.”

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