The Niagara Falls Review

Lights on Broadway shine brightly

2017 a record season in the theatre world

- MARK KENNEDY

NEW YORK — The year on Broadway came to a very sparkly end for theatre producers as many shows recorded their most profitable weeks ever despite theatre-goers facing bitter cold and some eye-popping ticket prices.

Ten shows last week earned more than $2 million (all figures U.S.), led by Hamilton, The Lion King and Wicked, which each pulled in more than $3 million, according to the Broadway League, a trade associatio­n for the industry. The year ended with grosses soaring to $1.6 billion and attracting 13.74 million patrons — both yearly records.

New weekly highs were reached by shows including Come From Away, SpongeBob SquarePant­s, Charlie and the Chocolate Factory, The Play That Goes Wrong, Waitress and The Band’s Visit. Even the musical Chicago got into the act at the mature age of 21, earning a record $1.3 million.

Those who boasted surpassing the $2 million mark included The Phantom of the Opera, Hello, Dolly! Dear Evan Hansen, Charlie and the Chocolate Factory, Aladdin, Springstee­n on Broadway and The Book of Mormon.

The time around Christmas and New Year’s is usually Broadway’s boom time, but this holiday season was particular­ly flush, pushed by premium pricing and several shows going from eight performanc­es a week to nine. The average price for a seat at Hamilton was $358, while it was $508 to hear Bruce Springstee­n. The official top premium price to see Bette Midler in Hello, Dolly! was $996.

Not every show was popping Champagne. The holiday revue Home for the Holidays, which featured the winners of various TV singing competitio­ns, ended its run as one of the poorest performing shows ever on Broadway. It crept out of town with a weekly haul of under $80,000 over eight performanc­es, or five per cent of its potential gross. The average ticket was just $26, but the theatre was 70 per cent empty.

The data this year is based on a 53-week calendar year, which is periodical­ly necessary so 365-day years can be lined up with 52-week-long sales windows measured Monday through Sunday.

 ?? JOAN MARCUS/THE PUBLIC THEATER ?? Lin-Manuel Miranda, foreground, with the cast during a performanc­e of Hamilton, in New York in 2015.
JOAN MARCUS/THE PUBLIC THEATER Lin-Manuel Miranda, foreground, with the cast during a performanc­e of Hamilton, in New York in 2015.

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