The Niagara Falls Review

‘Collective’ examines fatal nightclub fire

Film of Romanian disaster shows eerily prescient investigat­ion of political corruption surroundin­g health care crisis

- KATIE WALSH

There’s a quiet, breathtaki­ng power to Alexander Nanau’s documentar­y “Collective,” Romania’s official Oscar entry this year. A propulsive urgency propels the film along, derived not from manipulati­ve storytelli­ng techniques, but simply facts, informatio­n carefully observed, imparted plainly and with such a lack of melodrama, you could miss something crucial if you aren’t paying attention to every word. Because what’s at stake in “Collective” are facts themselves, in the wake of a deadly 2015 nightclub fire in Bucharest, Romania, a crisis that revealed entrenched corruption at every level of the health care system.

With an incredible sense of restraint, Nanau carefully lays out the details of this tale. It will soon spin into a saga of corporate malfeasanc­e, government corruption, shady Mafia figures, and people who try to do the right thing, which means slamming into a wall of red tape, political infighting and a deeply rooted system of bad actors.

But first, just the facts. On Oct. 30, 2015, afire broke out during a rock show at the club Colectiv (Nanau includes footage from inside the club that night, which is utterly terrifying and surreal). Without adequate fire exits, 27 people perished in the blaze and 180 were injured. During the four months following the fire, 37 more burn victims died in Romanian hospitals. In the wake of the tragedy, Romanians took to the streets to hold their government accountabl­e.

We pick up with a team of investigat­ive reporters at the local sports daily, Sports Gazette, running down leads from sources, breaking news about a defective disinfecta­nt that has allowed a lethal

bacteria to run rampant through hospitals, killing burn victims who should have survived their injuries. Editor-inchief Catalin Tolontan is the driving force behind the investigat­ion, working with reporters Mirela Neag and Razvan Lutac to track down the CEO of Hexi Pharma, the disinfecta­nt manufactur­er, while gathering testimony from whistleblo­wers inside the hospitals, from doctors to accounting clerks.

Nanau depicts their process in detail, as the story grows bigger and more unwieldy. For fans of films like “All the president’s Men,” “Collective” has all that great cinematic shoe-leather reporting: dramatic phone calls, last-minute layout changes, secret meetings with sources. But Tolontan is also an important public figure in this movement, in TV appearance­s, and in confrontin­g officials and bureaucrat­s at press conference­s, a determined reporter commit

ted to truth and justice above all else.

It’s at one of these tense press conference­s that we meet Vlad Voiculescu, an altruistic former patients’ rights advocate who takes over as Minister of Health. Vlad wants to do right by the victims of the Colectiv fire, but he soon finds himself mired in a web of bureaucrac­y, unable to act on the unchecked abuse, bribery and embezzleme­nt that rules the hospital system. He wants to speak plainly, act swiftly, but he’s hamstrung by lackeys and those with political and financial vested interests. At one point, he helplessly queries a whistleblo­wer doctor, “How the hell can this be solved?” He only becomes more desperate and disillusio­ned, ultimately telling one of the fire victims, that “sometimes the way a state functions can crush some people.” He could be talking about the victims, or himself.

“Collective” premièred at the Toronto

Internatio­nal Film Festival last fall and screened at Sundance in January. Even earlier this year, the film felt urgent, expressing an essential truth in the zeitgeist about political corruption and the role of the press in holding federal agencies and corporatio­ns accountabl­e for endangerin­g lives. But in November 2020, eight months into the COVID-19 pandemic ravaging the United States, there’s no denying that this film about the very real dangers of a government lying to its citizens about a health care crisis is almost unbelievab­ly prescient, and a grave cautionary tale. Gripping, incisive and shockingly powerful, “Collective” is easily the documentar­y of the year.

‘COLLECTIVE’ 4 stars; Cast: Catalin Tolontan, Vlad Voiculescu, Mirela Neag, Razvan Lutac; Directed by Alexander Nanau; Running time: 1 hour, 49 minutes. In theatres where alllowed and on demand services

 ?? MAGNOLIA PICTURES ?? Catalin Tolontan in the documentar­y film "Collective."
MAGNOLIA PICTURES Catalin Tolontan in the documentar­y film "Collective."

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