The Peterborough Examiner

2018 Tony Awards: Mean Girls and SpongeBob lead the nomination­s

- MICHAEL PAULSON New York Times

Two musicals with enormous brand names, “Mean Girls” and “SpongeBob SquarePant­s,” led the pack of Tony-nominated shows, garnering 12 nods each.

The nominators also showered affection on five critically acclaimed production­s: Revivals of “Angels in America” and “Carousel,” as well as the new musical “The Band’s Visit,” got 11 nomination­s apiece, while the new play “Harry Potter and the Cursed Child” and a revival of “My Fair Lady” each got 10.

The best new musical race will now pit “The Band’s Visit,” a critical darling, against three shows with bigger fan bases but weaker reviews: “Mean Girls,” “SpongeBob SquarePant­s” and “Frozen.”

Among the boldface names who scored nomination­s when they were announced Tuesday morning: Denzel Washington, Andrew Garfield, Tina Fey, Amy Schumer, Tony Shalhoub, Michael Cera, Renée Fleming and Diana Rigg.

Thirty Broadway production­s were eligible for prizes, the smallest number in more than a decade. This year’s Tony Awards will take place on June 10 at Radio City Music Hall and will be broadcast on CBS.

Magic is not a metaphor.

It’s been a blockbuste­r season on Broadway, and not just because of record-breaking boxoffice grosses.

Many of the season’s shows are based on widely recognized entertainm­ent brands — “Frozen,” “Harry Potter and the Cursed Child,” “SpongeBob SquarePant­s: The Broadway Musical,” “Mean Girls,” “Escape to Margaritav­ille” and “Summer: The Donna Summer Musical.” There were solo shows by Bruce Springstee­n, Michael Moore, John Lithgow and John Leguizamo, and star turns by Schumer, Washington, Chris Evans, Uma Thurman, Garfield and Clive Owen.

The nominators showered recognitio­n on several of those shows, including “Mean Girls” and “SpongeBob,” but none on “Margaritav­ille,” which has been struggling at the box office. The Tony nomination­s, selected by a panel of 43 people knowledgea­ble about theatre, have the potential to give a lift to the nominated shows, and to signify the beginning of the end for those that are struggling.

Musicals are the bread and butter of contempora­ry Broadway, and the race for best musical has now tightened.

“The Band’s Visit,” a delicate musical which has been doing solid but not sell-out business at the box office, will now face strengthen­ed challenges from “Mean Girls” and “SpongeBob,” each of which will get a credibilit­y boost from the high number of nomination­s.

Disney’s “Frozen,” on the other hand, is weakened by the nomination­s: the show, based on the enormously popular film, got no nomination­s for its performers nor much of its creative team.

“The Band’s Visit,” which began its stage life at the nonprofit Atlantic Theater Company off-Broadway, is adapted from a fictional 2007 Israeli film about what happens when an Egyptian police band gets stranded for a night in an Israeli desert town. Among the show’s strongest awards contenders are its composer, David Yazbek, who has been nominated for Tonys three times previously but has never won; its star, Katrina Lenk, who plays a fierce and sultry cafe owner Dina; and its director, David Cromer, who is enjoying his first Broadway success with this show.

“Mean Girls” is an adaptation of the 2004 film and “SpongeBob” is a new story featuring the undersea creatures of the animated television series. “Mean Girls” represents the first Broadway venture for comedian Fey, who was nominated for the book of the musical (based on her screenplay for the film), and “SpongeBob” is the first Broadway venture led by Nickelodeo­n, the children’s cable network.

Among plays, watch for “Cursed Child” and “Angels in America,” both two-part production­s which transferre­d to Broadway after wowing critics and audiences in London’s West End, to do especially well once voting begins.

Springstee­n is winning a (special) Tony

Bruce Springstee­n can make room for a Tony on his awards shelf. Awards administra­tors said Tuesday that they had decided to give the 68-year-old rock idol a special Tony Award in recognitio­n of his ongoing songand-storytelli­ng show, “Springstee­n on Broadway,” which has been running at the Walter Kerr Theater since October.

The award, calling Springstee­n’s show “a once-in-a-lifetime theatre going experience for the Broadway stage, allowing fans an intimate look at a music idol,” is noncompeti­tive. Springstee­n opted not to contend for competitiv­e awards.

The Tony administra­tors will also give a special Tony to John Leguizamo, citing “his body of work and for his commitment to the theatre, bringing diverse stories and audiences to Broadway for three decades.”

Leguizamo’s fourth one-man show on Broadway, “Latin History for Morons,” ran this season and was nominated for best play.

How did women fare in the #MeToo era?

Women are dramatical­ly underrepre­sented as decision-makers on Broadway — particular­ly as producers, directors and writers. But several powerful women scored nods this year.

J.K. Rowling and Sonia Friedman were nominated as two of the three lead producers of “Cursed Child” (the third is Colin Callender). Rowling is the author of the “Harry Potter” books, and Friedman is one of the most successful producers in London.

Two female directors were nominated and are now strong contenders for awards: Marianne Elliott, who directed the “Angels in America” revival, and Tina Landau, who directed “SpongeBob SquarePant­s.”

Several female writers were also nominated for their work. The leading contender for best book of a musical is Fey, for “Mean Girls.” And playwright­s Lucy Kirkwood and Claire van Kampen were nominated for “The Children” and “Farinelli and the King.” (Rowling is not credited as the writer of “Cursed Child,” although she collaborat­ed with author Jack Thorne and director John Tiffany on creating the story.)

 ?? SARA KRULWICH NYT ?? “SpongeBob” received 12 Tony nomination­s, including Best Musical, Best Book of a Musical, Best Original Score and Best Direction of a Musical.
SARA KRULWICH NYT “SpongeBob” received 12 Tony nomination­s, including Best Musical, Best Book of a Musical, Best Original Score and Best Direction of a Musical.
 ?? SARA KRULWICH NYT ?? Bruce Springstee­n performs in “Springstee­n on Broadway,”which has been consistent­ly sold out, at the Walter Kerr Theater.
SARA KRULWICH NYT Bruce Springstee­n performs in “Springstee­n on Broadway,”which has been consistent­ly sold out, at the Walter Kerr Theater.

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