The Prince George Citizen

Wreck-it Ralph sequel has style, heart

- Kristen PAGE-KIRBY

Six years ago, the animated feature Wreck-It Ralph gave us a little girl with a talent for racing cars and a giant man with a gift for smashing buildings. They met and formed a relationsh­ip built on mutual respect, admiration and a fondness for fart jokes.

As the sequel Ralph Breaks the Internet begins, not much has changed in this relationsh­ip. And therein lies the problem – at least for one of them.

The videogame characters Ralph (voice of John C. Reilly) and Vanellope (Sarah Silverman) spend their days doing their jobs at Litwak’s Arcade, and their evenings hanging out at the bar from the game Root Beer Tapper or racing motorcycle­s in Tron.

Ralph is perfectly happy with this arrangemen­t; Vanellope is restless. Her game, a candy saturated racing game titled Sugar Rush, has become a predictabl­e slog.

When Ralph attempts to spice things up, the game’s controller

– a steering wheel – gets broken and the game is unplugged. That means that all of the sugar-based characters have to flee, like so many Red Dye 40-coated refugees. There’s only one replacemen­t wheel left, and it’s on eBay.

So Ralph and Vanellope use the arcade’s newly-installed WiFi network to travel into the internet to win the online auction.

Like in Incredible­s 2, Ralph Breaks the Internet illustrate­s just how far computer animation can advance between one movie and its sequel. (Admittedly, Incredible­s 2 had 14 years to improve its game).

Now, you can make out the individual threads hanging from Ralph’s shirt sleeves, and the fuzziness of Vanellope’s sweater. But it’s not just on the micro level that the images pack a punch. The Metropolis-style world of the internet – which features mostly real-life companies, including Snapchat, Google and Pinterest –

is a swirling, infinite city that combines a technologi­cal sheen with a frenetic pace. It also appears that Ralph and Vanellope have entered a version of the internet where the parental filters are firmly on, as the more adult elements of the web are nowhere to be found.

Co-directed by Phil Johnson and Rich Moore, Ralph Breaks the Internet looks great. But it’s the script (co-written by Johnston and Pamela Ribon) that gives it its heart. Like many buddy-movie series, the first Ralph was about getting the gang together; the second is about what happens when the buddies break apart.

Vanellope finds what feels like a home in a gritty racing game presided over by a lanky driver named Shank (Gal Gadot, in the movie’s one voice performanc­e that falls flat).

Staying there, however, would mean leaving Ralph behind.

Watching her try to balance her own happiness with that of her friend’s feels like a very heartfelt, very real dilemma, thanks to Silverman’s performanc­e, which has only gotten more powerful since the first film. Ralph may get top billing here, but this new story belongs to Vanellope.

Ralph and Vanellope’s growth in the first film was what brought them together. Here, it’s what might force them apart. In Ralph Breaks the Internet, they’re attempting to hold on to one another while also trying to let go, and the film treats that struggle with sensitivit­y and care (along with some flatulence jokes).

Both characters are so fully realized that, even in these often-silly surroundin­gs, the audience can feel what’s at stake. For Ralph and Vanellope, friendship is anything but a game.

— Three stars out of four

 ?? WALT DISNEY STUDIOS MOTION PICTURES HANDOUT IMAGE ?? In Ralph Breaks the Internet video-game bad guy Ralph (voiced by John C. Reilly, centre) and fellow misfit Vanellope von Schweetz (Sarah Silverman, right) venture into the expansive world of the internet, where they meet eBay Elayne (Rebecca Wisocky, left).
WALT DISNEY STUDIOS MOTION PICTURES HANDOUT IMAGE In Ralph Breaks the Internet video-game bad guy Ralph (voiced by John C. Reilly, centre) and fellow misfit Vanellope von Schweetz (Sarah Silverman, right) venture into the expansive world of the internet, where they meet eBay Elayne (Rebecca Wisocky, left).

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