The Province

Gift for comedy fuelled film career

OBITUARY: Gene Wilder dies at the age of 83

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STAMFORD, Conn. — Gene Wilder, the star of such comedy classics as Young Frankenste­in and Blazing Saddles, has died. He was 83.

Wilder’s nephew said the actor and writer died Sunday in Stamford, Conn., from complicati­ons from Alzheimer’s disease. He had also been diagnosed with non-Hodgkin’s lymphoma in 1989.

Jordan Walker-Pearlman said Wilder was diagnosed with Alzheimer’s three years ago, but had kept the condition private so as not to disappoint fans.

“He simply couldn’t bear the idea of one less smile in the world,” Walker-Pearlman said.

Wilder started his acting career on the stage, but millions knew him from his work in the movies, especially his collaborat­ions with Mel Brooks on The Producers, Blazing Saddles and Young Frankenste­in. That film was co-written by Brooks and Wilder.

“One of the truly great talents of our time,” Brooks tweeted. “He blessed every film we did with his magic & he blessed me with his friendship.”

With his unkempt hair and big, buggy eyes, Wilder was a master at playing panicked characters caught up in schemes that only a madman such as Brooks could devise, whether reviving a monster in Young Frankenste­in or bilking Broadway in The Producers. Brooks would call him “God’s perfect prey, the victim in all of us.”

“My quiet exterior used to be a mask for hysteria,” Wilder told Time magazine in 1970. “After seven years of analysis, it just became a habit.”

But he also knew how to keep it cool as the boozy gunslinger in Blazing Saddles or the charming candy man in the children’s favourite Willy Wonka and the Chocolate Factory.

He was close friends with Richard Pryor and their contrastin­g personas — Wilder uptight, Pryor loose — were ideal for comedy. They co-starred in four films: Silver Streak, Stir Crazy, See No Evil, Hear No Evil and Another You. And they created several memorable scenes, particular­ly when Pryor provided Wilder with directions on how to “act black” as they tried to avoid police in Silver Streak.

In 1968, Wilder received an Oscar nomination for his work in The Producers. He plays the introverte­d Leo Bloom, an accountant who discovers the liberating joys of greed and corruption as he and Max Bialystock (Zero Mostel) conceive a Broadway flop titled Springtime For Hitler and plan to flee with the money raised for the show’s production.

Though they collaborat­ed on film, Wilder and Brooks had met through the theatre. Wilder was in a play with Brooks’ then-future wife, Anne Bancroft, who introduced the pair backstage in 1963.

Wilder was born Jerome Silberman on June 11, 1933, in Milwaukee, Wisc. His father was a Russian immigrant, his mother was of Polish descent. When he was six, Wilder’s mother suffered a heart attack that left her a semi-invalid. He soon began improvisin­g comedy skits to entertain her, the first indication of his future career.

He started taking acting classes at 12 and continued performing and taking lessons through university. In 1961, Wilder became a member of Lee Strasberg’s prestigiou­s Actor’s Studio in Manhattan.

That same year, he made both his off-Broadway and Broadway debuts. He won the Clarence Derwent Award, given to promising newcomers, for the Broadway work in Graham Greene’s comedy The Complaisan­t Lover.

He used his new name, Gene Wilder, for the off-Broadway and Broadway roles. He lifted the first name from the character Eugene Gant in Thomas Wolfe’s Look Back, Homeward Angel, while the last name was clipped from playwright Thornton Wilder. A key break came when he co-starred with Bancroft in Bertolt Brecht’s Mother Courage, and met Brooks, her future husband.

Before starring in The Producers, Wilder had a small role as the hostage of gangsters in the 1967 classic Bonnie and Clyde. He peaked in the mid-1970s with the twin Brooks hits Blazing Saddles and Young Frankenste­in and in a dual role with Donald Sutherland in Start the Revolution Without Me, in which Wilder displays his fencing abilities.

He went on to write several screenplay­s and direct several films. In 1982, while making the generally forgettabl­e Hanky-Panky, he fell in love with co-star Gilda Radner. They were married in 1984, and co-starred in two Wilder-written films: The Lady in Red and Haunted Honeymoon.

After Radner died of ovarian cancer in 1989, Wilder spent much of his time promoting cancer research.

Wilder is survived by his wife, Karen, whom he married in 1991.

“One of the truly great talents of our time. He blessed every film we did with his magic ...” — Mel Brooks

 ?? — GETTY IMAGES FILES ?? Gene Wilder signs copies of his autobiogra­phy, Kiss Me Like A Stranger, in London in 2005. He died Sunday at 83.
— GETTY IMAGES FILES Gene Wilder signs copies of his autobiogra­phy, Kiss Me Like A Stranger, in London in 2005. He died Sunday at 83.

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