The Province

Explore a collection of great escapes

Travel photograph­er snaps everything from selfies with llamas to daring views from helicopter­s

- Megan McDonough

Winter is coming, but you wouldn’t know it flipping through Gray Malin’s new book.

Escape, Malin’s latest collection of travel photograph­s, can transport you from the sun-drenched beaches of St. Barts to the dusty plains of Namibia, no passport required.

The 31-year-old Los Angeles-fine arts photograph­er, who got his start hawking travel prints at a West Hollywood flea market, now has more than a quarter of a million followers on Instagram, a celebrity fan base and a New York Times bestseller (Beaches).

Malin recently discussed his new book and his favourite travel destinatio­ns.

Q Tell me a little bit about making photograph­y a full-time job. When did you realize you could turn your passion into a career?

A I shot a series in West Texas, the Prada Marfa series, in my early 20s, and it did so well in the flea market that it gave me the courage to switch to online sales. It was around the time when people were just starting to be comfortabl­e with purchasing art online. It really helped put my career on the map and get me to where I am today.

The book features photograph­s of more than 22 destinatio­ns in 11 different countries. How did you

St. Barths Red Surfboard, from the A la Plage series, is among the images in Gray Malin’s recent collection, Escape. — GRAY MALIN

narrow down what destinatio­ns and images to include?

My first book, Beaches, was all about beaches, and while I love the beach, my work over the past five years has taken me all around the world. My team and I looked at the various projects I’ve done and divided them into six general categories: surf, snow, pools, sand, isles and parks.

How much research goes into planning and visualizin­g a shoot?

Many people don’t realize the lengths I go to, to capture these images. We live in a Photoshop world, and people don’t really understand what’s real and what’s not. I’ve never used a drone, and they certainly weren’t around when I started all of this.

It takes months of preparatio­n to storyboard and execute a shoot. I’ll tell my team, “Guys, I have this amazing idea: llamas in balloons,” and sometimes they look at me like I’m crazy. But then we’ll start researchin­g how we can actually pull it off, like how we can recruit local help and transport props there. We also consider weather, lighting and timing.

Aerial photograph­y sounds a bit frightenin­g; dangling out of a helicopter without doors can’t be easy. Have you ever had a scare while shooting that way?

Surprising­ly, I don’t really get scared. When I’m up there, I get lost in my lens. Even though it’s windy and incredibly dangerous at times, my camera is my shield and I lose myself in the art of it all.

You often work with animals in your shoots, including llamas, elephants and zebras. Can you tell us what it’s like working with them?

The llamas are so interestin­g! When we draped the balloons over them, they suddenly became calm and held their positions for so long that I was even able to turn the camera around and take a selfie with them. They were really soaking up the moment. The sheep, on the other hand, were more skittish and just wanted to run off. They are little guys and didn’t exude as much confidence.

What camera (s) do you pack on your travels? What are your other travel must-haves?

I must admit, I’m not really a camera guy. I don’t have loyalty to a specific brand and I switch around. Right now, I’m shooting with a Canon, but if Nikon comes out with a higher-quality camera, I’ll go over to them. But I am kind of a nerd when it comes to camera bands. I own a leather camera wrist band, so my camera dangles loosely at my side rather than my neck.

What is one of the most incredible escapes you’ve ever experience­d?

A great part about a book is exposing people to new places, like the Snow Polo St. Moritz series in Switzerlan­d. It’s a snow polo tournament played on a frozen lake in the Swiss Alps. I almost died when I saw the Matterhorn. I would tell anyone to put that on their bucket list. Namibia was also one of the most interestin­g escapes I’ve ever had because it was so quiet. There are no cellphones or internet. The sunsets there are so peaceful. I know why Angie (Jolie) and Brad (Pitt) had their babies there — there’s no place like it.

What advice do you have for amateur photograph­ers who want to capture memorable images on their own escapes?

I always tell people to think about lighting. I see people taking pictures all the time and they are not aware of where the sun is. It’s also fun to put your hand or some part of your body into a photo. It makes it feel a little more personal, and when somebody sees the image, they can relate to the image just a tiny bit more. It adds a human aspect to it.

Can you tell us about your upcoming work? Any new travel destinatio­ns on the horizon?

I just did a shoot last weekend in Santa Barbara (Calif.) that will come out next year and am planning to shoot in Thailand next year.

This interview has been edited for brevity and clarity.

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