The Province

Sounds to evoke the beauty of B.C.

Lyons, Bhattachar­ya create meditative music that complement­s visual art project

- STUART DERDEYN sderdeyn@postmedia.com twitter.com/stuartderd­eyn

LIMBS OF THE STARS

Somewhere, BC OffSeason Records

Juno Award-winning Vancouver musician Stephen Lyons has spent a good deal of the past year crafting music to accompany visual arts projects.

The latest from the Fond of Tigers offshoot Limbs of the Stars is a single work by Lyons and cellist Shanto Bhattachar­ya that runs roughly 43 minutes long.

All the creator will say about it is that it is “probably not best paired with high-energy workouts.”

In other words, the piece is a contemplat­ive compositio­n that sits well with its original intention to accompany an art show of the same name.

British Columbia has long inspired music and visual art pairings, and this music is one more example of how living somewhere with such arresting vistas and dramatic backdrops can result in meditative soundscape­s.

Here are five things you should know about Somewhere, BC.

1 YOU CAN GO THERE

The art exhibit proper happened already, but the photos that were in the exhibition are available to take in with the soundscape on the OffSeason Records YouTube site.

The black and white images of shadowed mountains and low-lying clouds pair perfectly with the slow ebb and flow of the music.

2 29:54

You would be hard-placed to pick a specific moment or movement in the piece as a favourite. But there is a point at about the 29:54 mark where there is a sudden uptick chiming guitar bit that completely throws your ears off their game.

It’s not jarring, rather just inhabiting a sonic zone into which the music hasn’t previously ventured.

3 SOUNDSCAPE­S AS OUTLETS

More adventurou­s musicians have long used lengthy instrument­als as a way to explore avenues where they usually don’t travel. Limbs of the Stars’ other music has been characteri­zed by the same sort of onslaught as Fond of Tigers. But Lyons also plays in a number of more chamber-roots style bands. This falls somewhere in that musical universe, but orbiting from a very long way away.

4 CLARKWALK

If you like what you see and hear with Somewhere, BC, you should check out the ClarkWalk project. This selfpaced/self-guided art walk was conceived as a community art installati­on where you could begin a walk at Clark Drive and 6th Avenue and take a self-guided and self-paced tour of this neighbourh­ood, sticking to an area no farther apart than one block east or west of Clark. The idea is to take folks through the area that is a last haven for many in the creative community to find rehearsal/performanc­e/exhibition spaces.

The tour comes complete with a two-part soundtrack composed of many local indie scene musicians.

5 MORE TO COME

Somewhere, BC, is the most recent music posted on the OffSeason site. But this local label has been busy releasing many acts since it began. The back catalogue is well worth perusing as a great example of quality Canadian DIY music.

ALSO SPINNING THIS WEEK:

DEERHUNTER: WHY HASN’T EVERYTHING ALREADY DISAPPEARE­D (4AD)

The eighth album from this enduring indie outfit has a decidedly older-school sound. Fuelled along by a harpsichor­d, the opening tune Death in Midsummer could have been a contempora­ry of SF Stories-era Pretty Things or the like.

That kind of bouncy psychedeli­a informs most of the 10 tracks, which even drop in lines about village greens and mellotron orchestrat­ions that wouldn’t have upset the Moody Blues. Should make for a great live sound.

FIDLAR: ALMOST FREE (MOM+POP)

Having dropped some pretty classic party anthems like Wake, Bake, Skate, over a few albums, it was natural for FIDLAR to mature.

The band has certainly done that on its latest, right from the first tune Get Off My Rock, which drops in with near Beastie Boys-style rock-rap, dirty blues harp and some tasty slide guitar before ending on a sweet a cappella chorus.

From there the 13 tunes range from near-classic California rock (Can’t You See), glam handclaps and slam riffs (Flake), to serious psyche-punk (Too Real). It’s a big jump for Zac Carper and company.

KINNIE STAR: FEED THE FIRE (APORIA)

This comeback from longtime Canadian hip-hop artist Starr is an important statement from an artist who has always been good at making them.

Working with co-writer Douglas Romanow, Starr used the creation of the album as part of her healing process from a 2015 taxi collision that left her with a traumatic brain injury and unable to play instrument­s. Songs such as Gotta Do Something pulse with urgent energy while Kiss It (Downtown Version) is a refreshing­ly direct statement of possible amorous purpose. Big beats, dance grooves and direct MC’ing show that Starr is back.

THE TWILIGHT SAD: IT WON/T BE LIKE THIS ALL THE TIME (ROCK ACTION RECORDS)

James Graham just might have one of the most convincing pleas in pop music at present, and it makes the music of the Twilight Sad both sad and soaring.

The band, comprised of Graham, Andy McFarlane, Brendan Smith and Johnny Docherty, has emerged as arguably the holders of the legacy of The Smiths’ honesty and the moody goth-tinged pop of The Cure, with a sound as dense and dark as the winter in their Glasgow home.

With songs titles such as 10 Good Reasons for Modern Drugs and Keep it All to Myself, the music is that fine blend of melody, melancholy and driving pulse that defined the best of the first wave postpunk indie bands as well as the always-engaging Scottish scene.

Will this be the one to break the band in North America? Maybe. The sound just might be too dense, too claustroph­obic and cunning to appeal to a market drenched in autotune and forced emotionali­ty. This stuff is raw, not fashionabl­e.

 ?? — CRAIG SINCLAIR ?? Juno Award-winning Stephen Lyons, shown playing at The Cobalt in Vancouver in 2017, has teamed up with cellist Shanto Bhattachar­ya on Somewhere, BC, a contemplat­ive compositio­n that was created to pair with black and white images as part of a visual arts project, which can be viewed on the record label’s YouTube site .
— CRAIG SINCLAIR Juno Award-winning Stephen Lyons, shown playing at The Cobalt in Vancouver in 2017, has teamed up with cellist Shanto Bhattachar­ya on Somewhere, BC, a contemplat­ive compositio­n that was created to pair with black and white images as part of a visual arts project, which can be viewed on the record label’s YouTube site .

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