Masked Singer: Who is that costumed B-lister?
Fox’s strange mystery format injects a spark into lagging genre
LOS ANGELES — Reality TV may have got its groove back, and it’s all thanks to a bunch of B-list celebrities attempting to carry a tune underneath elaborate costumes.
The success of Fox’s The Masked Singer has injected new life in the unscripted world, which has struggled in recent years to generate the kind of buzz that defined the genre in the early 2000s.
Now, producers are dusting off edgy formats that might have been considered too outlandish just a year ago, and executives say they’re feeling emboldened to take a chance on unusual concepts.
Much like the early golden age of reality, many of those formats hail from overseas — this time especially from territories like South Korea, where the idea behind Masked Singer originated.
“There has definitely been a change in pitches and types of pitches,” Fox alternative entertainment president Rob Wade said. “People are definitely thinking in a different way already. They’re like, ‘Hey, I brought this in five years ago, and I was told I was a crazy person, but what about now?’”
The Masked Singer features celebs such as Ricki Lake, Margaret Cho and Tommy Chong crooning their favourite songs while hidden in costumes that, for instance, turn them into a raven, a poodle or a pineapple.
It’s silly, it’s visually entertaining and, at the show’s core, there’s a compelling mystery — who’s behind the mask?
The series clearly has resonated with audiences. Backed by a hefty Fox marketing campaign, Masked Singer opened in January to the highest ratings of any unscripted series in seven years. It’s also TV’s top-rated reality show in four years and the No. 3 broadcast network entertainment series of the season (behind This Is Us and The Big Bang Theory).
“Nearly all of the senior heads of networks, cable and streamers have phoned and said, ‘Thank God,’” Wade said. “Because a hit gives you carte blanche, whether you’re at my network or another network, to kind of try different things. It’s difficult to take risks as a network if nothing is working.”
It’s perhaps no coincidence that, as Fox reports it, The Masked Singer is also the “first of 357 unscripted series over the past 15 years to rank as the season’s No. 1 unscripted show in its first cycle.” The last program to do that was Fox’s Joe Millionaire in 2003 — among the most memorable series to come out of reality TV’s Outlandish Age.
Reality guru Mike Darnell, who ran Fox’s alternative department at the time, was the first person to call Wade the morning after the debut of The Masked Singer to congratulate him on the numbers. Darnell, now the president of Warner Bros. unscripted and alternative TV, agreed that the show harked back to Fox’s reality heyday — when the network took chances on crazy concepts like Who Wants to Marry a Multi-Millionaire, My Big Fat Obnoxious Fiance, The Swan, The Littlest Groom, Who’s Your Daddy and Man vs. Beast.
“It feels very much like the roots of the company,” Darnell said. “I’m very proud of them over there; I think they did a nice job with it. It makes unscripted feel fun, and it also opens up a door to say, ‘Hey, the genre still has a lot of life in it — it just needs the right thing at the right time.’”
It certainly couldn’t have come at a better moment. While peak TV has fuelled a scripted renaissance, reality TV hasn’t been nearly as prolific. That’s been particularly true on broadcast, with veteran shows like Survivor, Dancing With the Stars and The Voice taking up most of the prime-time shelf space.
“There was a long period of time where not a lot of new hits were broken on broadcast,” ITV Studios America CEO David George said. “We live in an era where everything has to be a safe bet. Network executives take fewer chances. When something like The Masked Singer comes along, it should signal to the marketplace that outside of the box is something good. We’re hopeful the pendulum is swinging back toward unscripted a little bit.”
Masked Singer executive producer Craig Plestis said the key to success is to be fearless.
“This opened a door,” Plestis said. “Don’t be derivative: Be fresh, be different.”