The Standard (St. Catharines)

Eden takes a hilarious trip with the Hollanders

- CAROLYN HOLMES SIR WINSTON CHURCHILL SECONDARY SCHOOL

We’ve all had our share of disastrous vacations, but if you think that yours were bad, meet the Hollanders.

They’re your average American family with really bad luck and a lot of curiosity. The most important thing they learn: “Don’t drink the water.”

Eden High School put on a hilarious performanc­e of Don’t Drink the Water, a political comedy and Woody Allen’s first published play.

It takes place during the 1960s, in an American embassy behind the Iron Curtain, where trouble strikes after Ambassador Magee leaves his disaster-prone son Axel in charge of the embassy. Within minutes three American tourists, the Hollanders, come running in seeking refuge from the police for taking photos in a restricted zone. The story takes off from here, chock full of comedy, disaster and a bit of romance. In Don’t Drink the Water, you never know what’s going to come next.

This student-directed play (Jenny Wubs) was well-executed, and the cast was well-versed in its choreograp­hy and lines. The actors were in time with their cues, and well prepared to smooth over any mishaps.

The dynamic duo of Marion Hollander (Bailly Grigg) and Walter Hollander (Jesse Klassen) amused the audience with their comical lines and facial expression­s, while the dramatic actions of Axel Magee (Carson Suggett) and Susan Hollander (Diana Karapetyan) were pulled off without a hitch. Notable performanc­es were put on by the chef (Rowan Hegi), as she was chased around the room carrying a hare, and Krojack (Braeden Miller), the agent charged with capturing the Hollanders.

The original music by Ethan Hanlin added another dimension to the play, and entertaine­d viewers during costume changes. An especially memorable James Bond-esque compositio­n fit nicely into the play.

Although all scenes took place in a single room, the set was well done and very detailed. It used all the space on the small stage well, and effectivel­y utilized props. Additional­ly, the stage was well lit. The costumes were appropriat­e for the time period, and the hair of the actresses was suited to the personalit­y of each character.

The costume changes, while occasional­ly lengthy, were frequent and helped to move the story along. The lighting and sound was prompt, with no time lapses.

This hilarious play, that had viewers in stitches, is well worth taking the time to see, so pack your bags, and take a trip with the Hollanders.

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