The Standard (St. Catharines)

Political correctnes­s takes walk on scary side

- ANTHONY FUREY afurey@postmedia.com

You never know what’s going to be deemed off-limits by the social justice brigade. But Western political correctnes­s is an ever-evolving phenomenon, with more and more offences coming down the pipes.

Speaking of rough-around-the-edges New York City sounds, Lou Reed is the latest artist to be deemed off limits. In Canada no less! For being transphobi­c!

University of Guelph’s student associatio­n took to Facebook the other day to apologize for a “hurtful” incident that happened while they were selling bus passes to students.

They had music playing in the background and one of the songs — horror of horrors — was Lou Reed’s Walk on the Wild Side.

As the apology states: “The playlist was compiled by one of the Executives with the intent of feeling like a road trip from the ’70s and ’80s. The song was included solely on those terms and made in ignorance as the person making the list did not know or understand the lyrics.

“We now know the lyrics to this song are hurtful to our friends in the trans community and we’d like to unreserved­ly apologize for this error in judgement.”

What lyrics? Presumably these from Reed’s 1972 album Transforme­r:

Holly came from Miami, FLA Hitch-hiked her way across the USA Plucked her eyebrows on the way Shaved her legs and then he was a she She says, “Hey, babe, Take a walk on the wild side”

The German poet Goethe wrote that those who cannot draw on 3,000 years are living from hand to mouth, but today’s campus crusaders don’t even have three decades of pop culture under their belts.

Reed’s song in fact chronicles the personalit­ies behind Andy Warhol’s Factory, a key incubator of 1970s American countercul­ture.

And actress and cabaret performer Holly Woodlawn, the transgende­r person referenced in that verse, maintained her pride in the song up until her final interviews (she died in 2015 at the age of 69).

The Guelph student union appears to have deleted the apology from their Facebook page, but not soon enough, as their antics are now featured on American and British news sites.

We can all have a good laugh at this because what else are sophomoric know-it-alls for if not to be mocked by adults who’ve been there, done that and know the pains of youth are something to get over and done with.

Little problem though. This nonsense is permeating the broader culture, fuelled by social media. The universiti­es are no longer where the insanity ends. It’s where it begins.

Political correctnes­s run wild is no longer a joke. It’s now scary. If you violate their ever-changing rules, you can face real-life consequenc­es.

This is the key takeaway of the surreal cultural appropriat­ion scandal in Canadian media that’s seen three prominent people get, as United Airlines would put, “reaccommod­ated” for their harmless comments on the subject.

If you voice a mild opinion on certain subjects these days that violates rules that you didn’t even know about in the first place, you can find yourself public enemy No. 1.

The most tragicomic part is that everyone who jumped on the bandwagon is clearly oblivious to the fact that their number could come up.

Another great song on Transforme­r is A Perfect Day. It’s got upbeat lyrics:

Just a perfect day Feed animals in the zoo Then later a movie, too And then home

But it’s got a haunting, sinister tone to it that tells us there are cracks underlying all of these niceties. At any moment, things could fall apart.

That’s the song students at Guelph should be playing next.

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