The Standard (St. Catharines)

Swift returns with a new album

- CHRIS LACKNER

Movies

Big releases on Nov. 10: Daddy’s Home 2; Murder on the Orient Express.

Big picture: After settling their personal score in the original comedy, Brad (Will Ferrell) and Dusty (Mark Wahlberg) must deal with their intrusive fathers during the holidays, deftly cast as Mel Gibson and John Lithgow. Gibson plays Grandpa Kurt, a macho, insensitiv­e alpha — playing off his own loutish career persona — while John Lithgow plays an earnest extrovert Mr. Whitaker (Ned Flanders meets Kenneth the Page from 30 Rock).

Meanwhile, Murder on the Orient Express is Clue, with a dash of Wes Anderson, meeting a terrifying train trip that will make you think fondly about your last mediocre experience with Via Rail. Based on the novel by Agatha Christie, Murder on the Orient Express tells the tale of 13 eccentric strangers stranded on a train in which a grisly murder is committed. Everyone’s a suspect! Can the murderer be uncovering before striking again — or, more importantl­y, before the next overpriced snack cart rolls by?

Forecast: Daddy’s Home 3 is inevitable, but I’m hoping for a sequel called Murder on Thomas the Tank Engine.

TV

Big events: Philip K. Dick’s Electric Dreams (Nov. 12, Space); AMC Visionarie­s: Robert Kirkman’s Secret History of Comics (Nov. 12, AMC).

Big picture: The geeks won the culture war years ago. Embrace it (or hire a couple of them to build a time machine to go back and stop the invention of both comic books and fan convention­s). You can thank the Twilight Zone and acclaimed author Philip K. Dick for Electric Dreams. First, technology gets its own serialized, one-hour showcase on Black Mirror, and now sci-fi get the spotlight. This 10-episode, anthology series brings to life chilling parables and alternate realities that take inspiratio­n from Dick’s short stories.

This anthology series features allstar cast including Steve Buscemi, Greg Kinnear, Terrence Howard, Anna Paquin and Vera Farmiga. The premiere episode tells the tale of a technology-free future where humanity’s only mechanism for longdistan­ce communicat­ion is mutant telepaths. (You might as well just toss your smart phone once you finish reading this sentence).

Meanwhile, AMC Visionarie­s: Robert Kirkman’s Secret History of Comics is a six-part documentar­y exploring the people and events that super-charged the world of comic books — and defined modern pop culture. The Walking Dead creator interviews comic icons such as Stan Lee, Lynda Carter, Kevin Smith and Todd McFarlane. The two-night premiere finishes on Nov. 13. AMC Visionarie­s is a franchise in which famous artists celebrate the untold stories and fascinatin­g histories of their genres. Past instalment­s have looked at horror and science fiction.

Forecast: It won’t be long before AMC Visionarie­s: Reality TV, hosted by U.S. President Donald Trump. Music

Big releases on Nov. 10: Buffy Sainte-Marie (Medicine Songs); Taylor Swift (Reputation).

Big Picture: Taylor Swift is dead, long live Taylor Swift? The internatio­nal icon and ever-shifting talent is promising yet another incarnatio­n. Given the video for your first single — Look What You Made Me Do — begins with a headstone reading “Here lies Taylor Swift’s Reputation” and wraps up with a zombie version of the singer-songwriter, fans can expect this release to be a thriller.

Meanwhile, Canadian activist and singer-songwriter Buffy Sainte-Marie emerges with an anthemic protest album of new and classic material. “What troubles people today are still the same damn issues from 30, 40, 50 years ago,” she says. “War, oppression, inequity, violence, rankism of all kinds, the pecking order, bullying, racketeeri­ng and systemic greed.” I guess Bob Dylan got it wrong, the times they weren’t achangin. Medicine Song’s first single is a Tanya Tagaq collaborat­ion called You Got to Run (Spirit of the Wind).

Forecast: Sainte-Marie wins this songwritin­g battle by reputation and record. We could all use some musical medicine. But Taylor will win the radio battle, and the battle to trap lyrics and beats on repeat in your poor, unsuspecti­ng head.

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Taylor Swift

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