The Standard (St. Catharines)

‘We want our paintings back’

Deadline for $10M reward approachin­g fast

- WILLIAM J. KOLE

BOSTON — A hot tip could still earn you US$10 million from a Boston museum desperate to recover a trove of missing masterpiec­es. But you’d better hurry.

Midnight Dec. 31 is the deadline to collect a doubled reward being offered for informatio­n leading to the recovery of 13 works worth an estimated US$500 million — including paintings by Degas, Manet, Rembrandt and Vermeer — stolen in 1990 from the Isabella Stewart Gardner Museum.

So far, no takers.

That’s a big disappoint­ment to the museum and the FBI, which still hasn’t managed to solve the largest art heist in U.S. history. Both had hoped the enhanced reward would spur a flurry of fresh leads. Instead, it’s been like watching paint dry.

“Right now, we’re laser-focused on this deadline,” said museum spokeswoma­n Kathy Sharpless. “Clearly there’s a sense of urgency on our part. We want our paintings back.”

A look at the case and what’s likely to happen next:

The heist

On March 18, 1990, two men masqueradi­ng as Boston police officers gained entrance to the museum by telling the security guard at the watch desk that they were responding to a report of a disturbanc­e, according to authoritie­s.

The guard didn’t follow museum policy and allowed the men inside. He and another guard were handcuffed and locked in the basement while the thieves made off with the art.

The missing pieces include Rembrandt’s only known seascape, Christ in the Storm on the Sea of Galilee, and Vermeer’s The Concert, one of fewer than 40 known paintings by the 17thcentur­y Dutch painter.

Twenty-seven years later, there are still empty frames on the walls of the gilded museum where the great works once were displayed.

The investigat­ion

The FBI said in 2015 that two suspects — both Boston criminals with ties to organized crime — were deceased.

The agency has said investigat­ors believe the paintings moved through mob circles to Connecticu­t and Philadelph­ia, where the trail went cold.

Federal prosecutor­s say Robert Gentile, an 81-year-old reputed Connecticu­t mobster, is the last surviving person of interest. Federal agents have searched Gentile’s Manchester home several times. Prosecutor­s have said another gangster’s widow claimed her husband gave Gen tile two of the paintings. Authoritie­s also have said Gentile talked about the stolen paintings with fellow prisoners, and once told an undercover FBI agent he had access to two of the paintings and could negotiate the sale of each for US$500,000. Gentile denies knowing anything about the theft.

Meanwhile, the five-year statute of limitation­s on crimes associated with the actual theft expired more than 20 years ago, so the thieves — even if captured — no longer could be prosecuted. Although authoritie­s haven’t offered blanket immunity for whoever has the paintings now, they say they’re willing to consider immunity for anyone who can help them recover the stolen works.

The reward

For years, the museum has offered a US$5-million reward. Last May, trustees upped it to US$10 million — but only through the end of 2017.

Dutch art sleuth Arthur Brand, who has helped European authoritie­s recover other stolen works, says he has spoken to former police officers, ex-members of the Irish Republican Army and others, and remains convinced he is inching closer to solving the mystery.

“I said from the beginning if it’s not solved by the first of January it will become less likely that it will ever be solved,” Brand said. “We are getting closer. There are so many people working on it that in the end the truth will come out — I’m absolutely certain about that. The only question is, do the paintings still exist?”

Sharpless says the gallery will happily write that cheque for the right tip.

 ?? JOSH REYNOLDS/THE ASSOCIATED PRESS FILES ?? In this March 11, 2010, file photo, empty frames from which thieves took Storm on the Sea of Galilee, left rear, by Rembrandt and The Concert, right foreground, by Vermeer, remain on display at the Isabella Stewart Gardner Museum in Boston.
JOSH REYNOLDS/THE ASSOCIATED PRESS FILES In this March 11, 2010, file photo, empty frames from which thieves took Storm on the Sea of Galilee, left rear, by Rembrandt and The Concert, right foreground, by Vermeer, remain on display at the Isabella Stewart Gardner Museum in Boston.

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