The Standard (St. Catharines)

2017 as seen by standout film scenes

- LINDSEY BAHR

From Tiffany Haddish and that grapefruit to Wonder Woman taking on No Man’s Land by herself, here are some of the movie moments from 2017 that we can’t stop talking about.

Beware, spoilers lurk below.

No man’s land, Wonder Woman

Goosebumps. I still get goosebumps thinking about Gal Gadot emerging from that trench and walking confidentl­y with a steely calm into that empty and unwinnable field, swatting bullets away with her golden bracelets and giving hope not only to those counting on her in the film but to every woman in the audience too.

The sunken place, Get Out

In Jordan Peele’s part horror, part social satire Get Out, “the sunken place” is a brainwashi­ng technique employed by Catherine Keener’s Missy Armitage on her daughter’s black boyfriend Chris Washington (Daniel Kaluuya.) She hypnotizes him stirring her tea methodical­ly and suddenly he is trapped and falling in horrifying space. On a superficia­l level, it made an impact as a straight horror technique, but the sunken place went even deeper than a scare tactic: Peele later explained that it represents the marginaliz­ation and silencing of African Americans.

Ape man banquet, The Square

Sometimes a single scene is so rich, it could be an entire film. That’s the case with stuntman Terry Notary in Ruben Ostlund’s The Square. Notary plays a man who for his performanc­e art, acts like an ape. He’s been chosen as the entertainm­ent for a group of well-heeled museum investors, but the interactiv­e bit at a fancy dinner doesn’t go as planned as he intimidate­s and terrorizes the nervous guests.

Elio cries, Call Me By Your Name

It is the very last shot of the movie, but it is also what that entire impossibly beautiful film is leading up to: Elio (Timothée Chalamet), heeding his father’s advice and really feeling the loss of his summer romance with the impossibly beautiful Oliver (Armie Hammer.) Director Luca Guadagnino lets the credits roll as he keeps the shot close on Chalamet’s face, gazing into a fireplace while Sufjan Stevens sings and life goes on around him.

9/11, The Big Sick

You know, just some casual conversati­on with your ex-girlfriend’s parents who hate you but you’re all stuck together in a hospital cafeteria because she’s in a coma.

Terry: So, uh, 9/11. No, I mean, I’ve always wanted to have a conversati­on... about it... with... people.

Kumail: You’ve never talked to people about 9/11?

Terry: No, what’s your, what’s your stance?

Kumail: What’s my stance on 9/11? Oh, um, anti. It was a tragedy. I mean we lost nineteen of our best guys.

The airport, Lady Bird

Greta Gerwig’s Lady Bird is bursting with humanity and humour in every frame so it’s hard to choose a single moment, but Laurie Metcalf having a real-time change of heart about getting out of the car to say goodbye to her only daughter, who is leaving for college, while circling the Sacramento airport is pretty stunning. Just give her the Oscar already.

Rooney Mara and the pie, A Ghost Story

It is not necessaril­y supposed to be funny when Rooney Mara, in a bizarre moment of grief over the death of her husband, eats an entire pie in one take in David Lowery’s A Ghost Story, but awkward laughter is just one of the many emotions you experience watching her stab at the pie pan with a fork. It was made even better when Mara revealed that she’d never actually eaten pie before.

That sink isn’t braced! mother!

Jennifer Lawrence didn’t get enough acclaim for her performanc­e in Darren Aronofsky’s mother! The movie’s divisivene­ss overwhelme­d everything and we seemed to collective­ly ignore just how great she is as the unnamed wife of a selfish poet who gives and gives and asks very little of her very rude houseguest­s (who ignore her anyway). Sure, mother! is an allegory for the Bible, but there wasn’t a more relatable moment this year than Lawrence shrieking at a few uninvited guests (after she had asked politely multiple times), to get off of her sink. IT’S. NOT. BRACED.

Baby Groot doesn’t understand, Guardians of the Galaxy

Vol. 2

Sure, Baby Groot is kind of a gimmick to sell toys, but that cute monosyllab­ic tree still managed to upstage Chris Pratt. Director James Gunn knew just where to use Baby Groot, whether dancing with abandon to Mr. Blue Sky while his fellow Guardians are fighting a monstrous space alien or spectacula­rly failing to comprehend a simple plan that would help his friends escape from a locked cell.

The grapefruit, Girls Trip

Tiffany Haddish stole the whole of Girls Trip right out from under her more famous counterpar­ts as the bawdy, take-no-prisoners Dina but it was that moment with the grapefruit that we’ll never forget. It’s more than a little R-rated when she simulates a sex act with that piece of fruit with such wild-eyed enthusiasm, but thanks to Haddish, it’s hilarious too. Not only that, it made us all learn her name too.

 ?? CLAY ENOS/WARNER BROS ENTERTAINM­ENT ?? Gal Gadot charges through No Man’s Land during a First World War battle scene from Wonder Woman.
CLAY ENOS/WARNER BROS ENTERTAINM­ENT Gal Gadot charges through No Man’s Land during a First World War battle scene from Wonder Woman.

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