The Telegram (St. John's)

Entering the Spirits’ world

Two journalist­s spend a night in the museum

- STORY: FRAM DINSHAW PHOTOS: MARK GOUDGE SALTWIRE MEDIA

The temperatur­e dropped. That was my first sign we weren’t alone.

The second was a response to Margo Griffin’s question.

“Are there any spirits in the basement with us?”

A one-word typed reply came on Tammie Térèsa Saunders’ phone. “Child.”

I felt the tell-tale cliché shiver down my spine.

He, or she, must be standing close to me.

It was 2:30 a.m. and six of us stood silently in the Randall House Museum’s musty basement, our hearts beating with excitement.

Mark Goudge, the Saltwire photograph­er with his camera poised, stood next to Griffin. Across from them was Saunders and next to her was Krystal Tanner, museum curator.

We had all tramped down the old wooden stairs down into this small dark and dank basement with the hope that there would be something more than cobwebs and dust. There was.

We had just hit the Halloween jackpot.

We even saw our new friend briefly. He was an apparition photograph­ed against a window and couldn’t have been more than seven or eight when he died.

We then saw him in action. He gently pushed an old hoe once used by early settlers, causing it to sway lightly as if there was a gentle breeze.

I was more curious than scared. What would he do next? What exactly killed him and left his soul trapped here, unable to cross over to the spirit world? Why was he here?

But he never told us. Instead, he left a series of oneword answers including ‘weak,’ ‘nodded,’ ‘lose,’ ‘whom,’ ‘solution,’ ‘each,’ ‘eaten,’ and ‘close.’

A ‘ghost radar’ app on psychic Tammie Térèsa Saunders’ phone recorded a string of answers that left me with even more questions as to who this boy was. Or was he even a boy? We thought he was, based on the short haircut in our only photo of him.

Towards the end he said ‘Bronwen’. Was that his name?

The whole encounter lasted maybe 15 or 20 minutes.

Two clangs and a ghostly whistle marked its end.

Pssst!!

In another level of the house, a green-painted room covered in photos and sporting a 19th century penny-farthing bike is possibly home to another ghost boy, Eden.

“He likes to say ‘Pssst’ a lot,” said Tanner.

During previous investigat­ions, Eden replied that he was a neighbour and followed the team around the house.

“I was giving a tour, I was chatting and he said, I’ll come back,” said Tanner.

But this night it remained silent. We kept trying to reach him, using tracking devices including a radio scanner, that loud crackle gave you a headache and a temperatur­e sensor.

As Tanner, Saunders and I tried Eden, Goudge and Griffin set up shop in the attic trying to pick up more spiritual signals.

Goudge seemed unfazed even when Saunders’ phone radar picked up ghosts or when a sudden feeling of cold came over us.

We both walked in the dark outside, snapping exterior shots of the museum. I poked around running video but nothing untoward happened outdoors, unlike the incidents inside the ancient home.

Before we met our new friend in the basement, our six-strong ghost hunting team swept Randall House room by dark room for ghosts.

We had some fleeting encounters.

Saunders, who says she has a gift for seeing spirits, spotted a woman in a white dress on the ground floor.

Another ghost, a man, is said to live in the museum’s textile room at the top of the staircase.

Tanner warned us that he was grumpy, territoria­l and did not like people invading his space. Especially reporters, it seems. I entered the textile room twice. The first time nothing happened.

The second time I dashed up the stairs and back into his room, poking around between racks of white sheets. Suddenly I felt a shiver, sensed a presence, and startled, said something far too rude for print before leaving quickly as I had entered.

Saunders, ever the diplomat, tried a gentler approach.

“I’m not here to do anything to you. I just need to document some things in this room. I’m sorry to invade your space,” said Saunders. “I’m coming in now.”

By then, the grumpy man had retreated into a corner.

Located on Main Street in Wolfville, N.S., Randall House is an old farmhouse built in sometime in the late 1700s or early 1800s, no date specific date has been determined. It was home to three generation­s of the Randall family before being turned into a museum in 1949.

If there are ghosts here, they probably want to be left in peace and hate people trespassin­g in their space.

In this one sense, they are just like us.

 ??  ?? Reporter Fram Dinshaw holds a device to help him hear the spirit of a man who apparently haunts an area known as the textiles room.
Reporter Fram Dinshaw holds a device to help him hear the spirit of a man who apparently haunts an area known as the textiles room.
 ??  ?? In the dark, with only the glow from her recorder to break up the night, Margo Griffin listens to one of the audio recordings containing some unusual sounds.
In the dark, with only the glow from her recorder to break up the night, Margo Griffin listens to one of the audio recordings containing some unusual sounds.
 ??  ?? The Randall House Museum is located on Main Street in Wolfville.
The Randall House Museum is located on Main Street in Wolfville.
 ??  ?? Troy Keddy quietly listens for any sounds that might be out of place in the basement. It was in this area where the team had the strongest ghostly encounters.
Troy Keddy quietly listens for any sounds that might be out of place in the basement. It was in this area where the team had the strongest ghostly encounters.
 ??  ?? Empath Tammie Térèsa Saunders stands quietly in the attic, apparently watching one curious spirit.
Empath Tammie Térèsa Saunders stands quietly in the attic, apparently watching one curious spirit.

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