The Telegram (St. John's)

Vietnam War — no clear answers, even now

- Martha Muzychka Martha Muzychka is a writer and consultant living and working in St. John’s. Email: socialnote­s@gmail.com

I was 13 years old when Saigon fell to North Vietnam and brought what was famously described as the 10,0000-day war to an end.

I remember other, slightly earlier historical events, but the Vietnam War, even as a Canadian, was something we heard about regularly.

I think my first remembranc­e about the war came from the popular game show, “Truth or Consequenc­es.” Host Bob Barker often reunited Vietnam soldiers with their wives or girlfriend­s, or their parents.

It happened often enough that — now, with the wisdom of maturity — I wonder if some of the contestant­s worked hard to be chosen just so they could get a chance to visit with their loved ones as a “consequenc­e” earned from the show.

But by the time I was 13, I was aware that the war was not a love story by any stretch of the imaginatio­n. Our history teacher was keen that we should follow current events at home and abroad; the end of the war resulted in a rousing discussion on what had been achieved, when very few of us could even comprehend why the United States had been involved.

Still, we grasped that there had been destructio­n abroad and in the U.S. There had been protests, and the burning of draft cards. We heard about Canada as a haven for what were called draft dodgers, and it was within that context that I first learned about the concept of conscienti­ous objectors.

It wasn’t until I reached university that I started to read more about the particular­s of the war and to piece together what I knew of the history I had seen unfolding on the evening news.

I still didn’t know enough to understand the controvers­y about the Vietnam Veterans Memorial when it was announced in 1981. Years later, however, I knew that when we were planning a holiday to Washington, D.C. to visit friends and family, the memorial was on the list of places I most wanted to see.

I don’t think there would have been any amount of knowledge about the war that would have prepared me for the memorial. It’s is still one of the most emotionall­y fraught sites I have encountere­d.

The two walls of names stretching seemingly endlessly, the notes and remembranc­es left by friends and relatives mourning their loved ones, the silence of the visitors broken only by the wind, the birds and occasional sighs as someone found a name they were searching for.

When we sat down to watch “The Vietnam War” recently, the PBS documentar­y series by Ken Burns and Lynn Novick, I knew it would be another kind of history I would be seeing.

We often say hindsight is 20/20, but even looking back at recent history is not as simple as you might think, even with all the documentat­ion, journalism and research that has been produced in an effort to make sense of a war that was, to most people, senseless.

My own history of the Vietnam War is composed of fragments of my childhood memories derived from different sources and different contexts: protest marches, civil rights, coverups, refugees, press freedoms, and so on.

The war that Burns and Novick reveal in their series is also fragmented. Viewers get stories from multiple contexts: the soldiers who fought on every side, the ones who died, the ones who were captured and were later released, the policy makers who planned the debacle, the journalist­s and photograph­ers who reported it, the mothers who mourned, the protesters who tried to make a difference.

Some of those stories start in one episode and appear intermitte­ntly in others (it’s a long series of films, clocking in at more than 17 hours), each showing a little part of the whole until Burns and Novick bring it together.

While the series has its flaws — post-traumatic stress disorder amongst returning soldiers only gets a brief mention in the very last episode, for example — it is also moving, disruptive and provocativ­e testimony.

It is perhaps the only way to tell this multi-layered, complex and deeply fractured event in American history.

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