The Telegram (St. John's)

‘In the Heights’ has disappoint­ing opening weekend

- REBECCA RUBIN

LOS ANGELES — In the Heights, the acclaimed adaptation of Lin-manuel Miranda’s Broadway show, didn’t hit all the right notes in its box office debut.

The Warner Bros. movie generated a wane US$11.4 million from 3,456 U.S. theaters in its first four days of release, below expectatio­ns heading into the weekend that suggested the film would reach US$20 million. In the Heights also opened on HBO Max, the streaming service owned by the studio’s parent company Warnermedi­a, though the company didn’t report its digital viewership.

The disappoint­ing commercial reception is puzzling because critics embraced the film, showering it with some of the best reviews of the pandemic era. Moreover, Warner Bros. put substantia­l marketing heft behind the picture, and director Jon M. Chu and Miranda devoted a great deal of energy into promoting the movie, which compensate­d for the fact that its cast was comprised of mostly unknown stars and emerging actors.

The film’s hybrid release on HBO Max likely affected in-theater turnout, but it isn’t the sole reason that inaugural ticket sales for In the Heights came in under projection­s. Recent Warner Bros. releases like Godzilla vs. Kong, Mortal Kombat and The Conjuring: The Devil Made Me Do It still pulled in solid receipts, despite being offered simultaneo­usly on streaming. But, as audiences are slowly making their way back to theaters, box office charts are indicating that people have been more inclined to show up for properties with more brand recognitio­n. Though the Tony Awardwinni­ng In the Heights isn’t an original property like La La Land or The Greatest Showman, it’s not as well-known as Miranda’s other musical sensation Hamilton, or even Rent, Les Miserables or Cats.

To that end, box office prognostic­ators believe In the Heights can find an audience over the summer, similar to the box office sleeper hit that was 2017’s musical The Greatest Showman. The Fox movie debuted to a muted US$8.8 million, but audiences fell in love with the soundtrack and Hugh Jackman’s charisma and returned to theaters over and over again.

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