The Welland Tribune

Tennis film takes centre court at TIFF

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TORONTO — A biopic starring Shia LaBeouf as tennis great John McEnroe will open the Toronto Internatio­nal Film Festival.

Organizers made the announceme­nt Monday, noting this will be the world premiere of Borg/McEnroe.

The film tells the story of the epic rivalry between the American tennis star and Sweden’s Bjorn Borg, which came to a head at Wimbledon in 1980.

Swedish actor Sverrir Gudnason plays Borg.

Janus Metz directed and Ronnie Sandahl wrote the film, which will be the opening night gala on Sept. 7.

Last week TIFF unveiled the first slate of films for the 42nd annual celebratio­n of cinema, which runs through Sept. 17.

The lineup includes another tennis biopic — Battle Of The Sexes, starring Steve Carell and Emma Stone in a story inspired by the 1973 tennis match between Billie Jean King and Bobby Riggs.

Other films headed to the fest include George Clooney’s Suburbicon, Angelina Jolie’s First They Killed My Father, and the Tragically Hip documentar­y Long Time Running.

“Borg/McEnroe has a powerful tension about it that is on par with the electric energy of Toronto on opening night,” Piers Handling, director and CEO of TIFF, said.

“The story of this nail-biter matchup changed the sport of tennis forever, and the outstandin­g performanc­es from LaBeouf and Gudnason will be a spectacula­r way for festivalgo­ers to kick things off.”

“Audiences are in for one hell of a showdown,” added Cameron Bailey, artistic director of TIFF. — The Canadian Press ZEINAH KALATI

A Ghost Story is an experiment­al film that goes beyond expectatio­ns with each scene. It’s a trip without the hallucinog­ens, one that brings on a sense of calm yet will also leave you uneasy and tense.

Written and directed by David Lowery, A Ghost Story stars Casey Affleck, an actor whose career has seemed to reside on the fringes of Hollywood. However, since his Oscar win for his starring role in Manchester by the Sea this February, he has been working non-stop. Emerging from his brother Ben Affleck’s shadow, Casey has solidified his place as one of Hollywood’s most sought-after actors.

The film also stars Rooney Mara of The Girl with the Dragon Tattoo. Fresh off the buzz of the much talked about Carol, Mara surprises us again with a completely different choice in role.

Affleck and Mara play C and M, a couple who seem to see each other as the only people in the world, their world; the only place they feel safe. The characters are genuine. They disagree with each other, they reconcile, they kiss and they caress one another. There are walls but there is understand­ing. Not long after we come to understand their love, C dies in a car crash. From this point on C is a ghost, a bed sheet over his head like a lazy kid

The Film House

FirstOntar­io Performing Arts Centre, 250 St. Paul St., St. Catharines, 905688-0722 Listings for Aug. 1 to 7 A Ghost Story: Tuesday 7 p.m., Thursday 7 p.m., Friday 6:30 p.m., Saturday 9 p.m., Sunday 7 p.m. I Called Him Morgan: Wednesday 7 p.m. The Bad Batch: Friday 9 p.m. Stand by Me: Saturday 4 p.m. Tanna: Saturday 6:30 p.m. Johnny Guitar: Sunday 4 p.m. as part of the western film series Tickets and info: FirstOntar­ioPAC. ca Cost: $7 members; $9 general

dressed up for Halloween.

Theplainne­ssofC’sghostsome­how makes the character both ominous and melancholi­c as he drifts through scenes unnoticed. He watches his partner’s journey through mourning and he becomes fixated on reading a note that she has left but the pace of the world and the people in it makes this difficult. C’s ghost can only observe.

His helplessne­ss and the frustratio­n that accompanie­s it is what keep your attention rapt. There are people who suffer and there are witnesses to suffering, but there’s little that can be done. This becomes the film’s unique perspectiv­e.

The film makes us wonder about the continuity of history and the never-ending changes that build it. What happens today isn’t likely to matter in a few years as there are so many experience­s both good and bad that await us.

A Ghost Story also calls into question notions of life after death. Do the dead, especially those who haven’t lived a completely fulfilled life, witness the ignorance of the living? The realizatio­n that mistakes are repeated and poor decisions will always keep being made is an idea that haunts this film. It explores the strength we must maintain to endure our own foibles. The source of this strength is the love that C and M have for one another. For the ghost of C, the note he’s desperatel­y seeking to read represents that.

A Ghost Story is a film that could easily play on clichés and horror tropes but it avoids them. It’s a cosmic trip that actually explores these clichés and why they’re so prevalent. There are scenes that are filmed seemingly in real-time and then there are scenes that skip generation­s, all revolving around one unchanging element, the ghost, the watcher.

A Ghost Story will leave you with many questions: What is history? What is spirituali­ty? And what is good and what is evil when love is not absolute?

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