Feud shines light on sexism, ageism in Hollywood
NEW YORK — You might think an eight-part miniseries about screen legends Bette Davis and Joan Crawford butting heads and being fabulous would have little to say about modern times. You’d be wrong. Without soft-pedalling any of the fun and fabulousity of vintage Hollywood, Feud: Bette and Joan, which premières on FX tonight at 10, exposes a not-so-glitzy side of Tinseltown — while framing issues all too prevalent even now.
But to start with, all you really need to know is this: Feud tells of the epic rivalry between Bette Davis and Joan Crawford as they fractiously joined forces to co-star in the 1962 thriller What Ever Happened to Baby Jane? The fur would fly. Then, despite Baby Jane exploding as a box-office smash and entering the canon as a camp movie classic — or perhaps because of it — neither actor scored the comeback the Hollywood has-beens had been praying for in what was regarded as the twilight of their careers.
Note: The year this film was released, “over-the-hill” Crawford turned 58 and Davis was all of 54.
Thus does Bette and Joan set the scene for ageism, sexism and misogyny afflicting Hollywood — and, by implication, broader society.
Fortunately, two spectacular, Oscar-winning actors are on hand to resurrect Oscar winners Bette and Joan — respectively, Susan Sarandon (who, for the record, is 70) and Jessica Lange (67).
But even as their great work yet again refutes the misconception that a female actor, no matter how gifted, must inevitably age out, it’s not as though these two stars haven’t suffered for decades the same slights from the industry that Davis and Crawford endured.
“Not that much has changed,” Lange stated recently. “I think a big part of this show is what Hollywood does to women as they age, which is just a microcosm of what happens to women generally as they age.”
This is part of what spurred Ryan Murphy to create Feud; he’s an executive producer, director and writer of the series.
“What was really interesting to explore was what a tragedy the last 15 years was in the lives of these women, and how they deserved so much more,” said the prolific producer whose other credits include FX’s American Horror Story franchise and last year’s hit miniseries The People vs. O.J. Simpson: American Crime Story.
Feud begins with Crawford approaching Davis — with whom she had tangled as they both rose and fell in the Hollywood firmament — with the project she believes can put them, even in their putative autumn years, back on top.
“If something’s going to happen, we have to make it happen,” says Crawford. “No one’s looking to cast women our age. But together, they wouldn’t dare say no. We need each other, Bette.”