Times Colonist

The last days of historic circus

‘The Greatest Show on Earth’ dates back to P.T. Barnum and his travelling museum in the 1800s

- MICHELLE R. SMITH Send out the clowns

PROVIDENCE, R.I. — An elephant stretches its trunk through a window to soothe a sick child. A woman gives birth and three months later is back performing on the high wire. A handler of big cats weeps as the beasts lope out of the ring for the last time.

These stories could come only from circus performers, and in particular one famous circus, the one immortaliz­ed as “The Greatest Show on Earth”: the Ringling Bros. and Barnum & Bailey Circus, which is hanging its hat for the last time this weekend.

While the show goes on in other circuses around the world, Ringling is special. The size, the spectacle and the history — stretching back to P.T. Barnum and his travelling museum in the 1800s — set it apart.

One of Ringling’s two travelling circuses is scheduled to perform its final show Sunday in New York. The other closed this month, in Providence, Rhode Island, and with it, the end to a way of life few others have experience­d. The Associated Press was allowed to observe it extensivel­y.

Ringling is the last circus anywhere to travel by train, and while living on a train can be tough, the accommodat­ions are considered a benefit that other circuses don’t offer. Perks include the “Pie Car,” the mile-long train’s dining operation, as well as a circus nursery and school for the many children whose parents make the circus what it is.

Some observatio­ns from the home the performers leave behind, from the unit’s last circus baptism, their final times goofing around on “Clown Alley,” and other moments the world will never see again:

The Boss Clown

One of Sandor Eke’s earliest memories is of an elephant comforting him, stretching its trunk through his trailer window, while he lay recovering from illness.

Eke’s Hungarian parents were performing at a circus in Sweden, and Eke was just a toddler. A few years later, he’d be a circus performer himself, and aspiring to come to America to join Ringling.

He got his wish 20 years ago, as an acrobat. Five years later, his colleagues told him he was funny and would make a good clown.

Now, at age 41, he’s the Boss Clown, leader of the clowns on the unit. He’s also dad to two-year-old Michael, and they are enjoying the waning days here together.

“You have your own zoo. You can pet an elephant; you can play with the baby tigers,” Eke said. “You have your own clowns. Everybody loves you. A circus is a very big family.”

Some day, he plans to teach his son juggling and other circus skills.

Even so, Eke knows Michael may never join the circus.

Eke’s wife, a former circus aerialist, has already establishe­d their new home in Las Vegas. When the circus closes, Eke hopes to get a job as a “flair” bartender there, doing tricks such as juggling bottles.

He wonders how life will change.

“My normal life is this. My normal life is going on the train, going every week to a different city,” Eke said. “It’s crazy how much I love circus.”

Knowing it’s coming to an end has been difficult for his fellow performers and crew, and Eke been spending his time trying to make his circus family laugh.

“I don’t stop until they smile,” he said. “And I do everything. I don’t care if I have to dive into a trash can. That’s how I want to be remembered. And that’s how I want to remember myself. I’m going to go and cry. But I’m going to be happy.” Ivan Vargas likes to say his parents fell in love with the air.

He is sixth-generation circus. When they met, his mother performed on the high wire, his father on the trapeze.

Vargas was born between two Ringling Bros. shows in Madison, Wisconsin, in 1990. His father managed to perform in the early show, then made it across the street to the hospital — in costume — for his son’s birth.

Vargas is part of Clown Alley. It’s not just a place. In one sense, it’s the private area backstage where clowns get ready to perform. But it’s also how the clowns refer to themselves, a minifrater­nity within the circus, and a microcosm of it.

There’s Brian Wright, a circus superfan, of sorts. He was four years old when he saw his first Ringling show, and he knew that’s what he wanted to do.

The Brooklyn, New York, native auditioned three times before finally landing a job as a clown. Now he keeps a book he likes to call the “Clown Bible,” which, after four years at Ringling, is filled with memories, thoughts and jokes he collects when he meets a former clown.

And there are Nick Lambert and Stephen Craig, neither of whom gave a thought to joining the circus until they were out of college. They ended up here because of their love of acting.

Lambert has a plan for his last hours on the circus train, before he heads back to his hometown of Albion, Illinois.

The morning after the last performanc­e, he’ll sit in his compartmen­t on the train and open up a cabinet. There, clowns from years past have written their names, shows and years they performed with Ringling.

“I’ll get to add my name to the door,” he said. “I’m the last one in this room before it is all gone.”

Restricted by the life

Quarters on the circus train can be tight. Some cabins are so small, you can touch opposite walls with outstretch­ed arms. Many travellers are stuck in their rooms while the train is moving because the only exit is to the outside.

Take Jeannie Hamilton. She has been with the circus 12 years, most recently as manager of concession­s.

While people talk about running away with the circus as a way to break free, Hamilton said she sometimes felt constraine­d — either stuck at the arena or stuck on the train.

The train moves much slower than an Amtrak, or even a Honda. Its final run travelled a circuitous route from Hartford, Connecticu­t, through Springfiel­d and Worcester, Massachuse­tts, to Providence, Rhode Island.

The trip took half a day. By car, the 65-mile distance could be covered in less than two hours. The train cars are, for the most part, being sold, and many have already been auctioned.

So, Hamilton decided to spend that last trip soaking it all in.

“Any time the train was moving, I was on the vestibule,” she said, referring to the small standing area between train cars. “Now that it’s coming to an end, I was trying to enjoy every minute of it.”

Birth on a wire (or close to it)

Being a circus performer takes commitment, discipline and athleticis­m, qualities Anna Lebedeva exhibits when she balances on the high wire with her husband, Mustafa Danguir.

She executes her tricks so effortless­ly, it’s hard to believe she had a baby three months ago.

It was important to her to perform in Ringling Bros.’ last shows, she said, and she pushed herself to get back in condition after their son, Amir, was born.

“I’m really happy to have a chance to finish this. It’s been seven years for us,” she said. “This is just history, you know?”

Danguir is the first in his family to perform in the circus. He was discovered doing acrobatic tricks as a child in Tangier, Morocco, and invited to circus school. Lebedeva, originally from Moscow, is sixth-generation circus.

They married last year, 30 feet up on the high wire, while the show was in Houston.

The couple dreams of starting their own show, or maybe opening a circus school in Morocco. They’re optimistic something good will come along.

“We are artists,” Danguir said. “We are survivors.”

The Curtain Closes

The tiger presenter weeps as he ends his act with the big cats.

The animals are owned by Feld Entertainm­ent, which owns Ringling, and Tabayara Maluenda has to say goodbye.

The animals will be sent to a centre that specialize­s in tigers, according to a Feld spokesman.

As Maluenda wipes away tears during their last appearance together, he thanks each animal individual­ly as it leaves the ring. One, he embraces — the first tiger he got when he joined 13 years ago, one he raised from a cub.

Finally, after the aerialists, strongmen, the human cannonball and the BMX bikes have all done their tricks, it’s over. The ringmaster calls out the families of the performers and crew to join them for a final thank-you.

Among them are Boss Clown Sandor Eke and his son.

In a few days, the two will fly back to Hungary to visit family before their permanent move to Las Vegas. Eke is planning to visit a circus he has heard about there.

“Any time I have a chance to see a circus, I will be there,” he said

But tonight, he stands on the arena floor one last time, holds his son in his arms, and cries.

 ??  ?? Ringling Bros. Boss Clown Sandor Eke hugs his two-year-old son Michael after the troupe’s final show on May 7, in Providence, Rhode Island. The son of Hungarian circus performers, Eke has been performing since he was a child.
Ringling Bros. Boss Clown Sandor Eke hugs his two-year-old son Michael after the troupe’s final show on May 7, in Providence, Rhode Island. The son of Hungarian circus performers, Eke has been performing since he was a child.
 ??  ?? Above: Ringling Bros. high wire performer Anna Lebedeva stands next to her three-month-old son, Amir, in his stroller while waiting to go on for the show’s finale on May 5 in Providence.
Above: Ringling Bros. high wire performer Anna Lebedeva stands next to her three-month-old son, Amir, in his stroller while waiting to go on for the show’s finale on May 5 in Providence.
 ??  ?? Ringling Bros. clowns take a break between acts in Clown Alley, a private area backstage, on May 5 in Providence.
Ringling Bros. clowns take a break between acts in Clown Alley, a private area backstage, on May 5 in Providence.
 ??  ?? Left: Clowns Gabor Hrisafis, left, and Beth Walters chat at the Dunkin Donuts Center before a show on May 4, in Providence.
Left: Clowns Gabor Hrisafis, left, and Beth Walters chat at the Dunkin Donuts Center before a show on May 4, in Providence.

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