Times Colonist

Markers are laid down for Oscars by parade of stars

Not every movie won acclaim, but this year’s event had plenty of magical moments

-

TORONTO — From Angelina appearing with the kids to Clooney talking twins to Glenn having a gas, this year’s Toronto Internatio­nal Film Festival delivered some memorable moments both inside and outside the cinema.

Here are our highlights of the festival, which wraps Sunday:

Standout films

• Call Me By Your Name: At once a sizzling summer love story and a poetic capsule of sexual repression, this coming-of-age tale unfolds in the Italian countrysid­e and captures all of the joy, pain and confusion of growing into manhood. During a getaway to his parents’ villa, 17-year-old Elio (Timothée Chalamet) finds himself infatuated with an older student (Armie Hammer) who is working for his father.

The two form a friendship built on their shared Jewish heritage, but there’s a simmering tension between them that director Luca Guadagnino milks until even the audience feels like its suffocatin­g in their attraction. A monologue late in the film puts their connection into perspectiv­e and will leave many viewers emotionall­y gutted. • The Disaster Artist: This comedy about the making of eccentric filmmaker Tommy Wiseau’s notoriousl­y terrible cult classic The

Room was a hot ticket, with rush audiences lined up for hours. Director James Franco delivers an uncanny performanc­e as Wiseau, whose swollen ego and lack of self-awareness make for a tyrannical mix on set. Brother Dave Franco also shines as levelheade­d actor/Wiseau muse Greg Sestero, whose memoir inspired this star-packed tribute. The film is flat-out fun and provokes just as many laughs as The Room did — only in this case, it’s intentiona­l. • Lady Bird: There’s no shortage of movies about quirky, rebellious teens, but writer-director Greta Gerwig crafts a vibrant, authentic take on the pangs of youth with

Lady Bird. Saoirse Ronan is electric and relatable as a Sacramento teen who insists she be called Lady Bird and is fixated on escaping to New York for college. She’s bold and outlandish, but deeply insecure about money and social status, while her deftly drawn friends never feel like cardboard heroes or villains. But the heart of the film is Lady Bird’s intense relationsh­ip with her stalwart, but devoted, mother, played by a riveting Laurie Metcalf. Rarely are mother-daughter dynamics seen with such complexity and painful honesty. • Mudbound: Heartbreak abounds in this devastatin­g Second World War epic about the intersecti­ng lives of two families — one white, one black — sharing farmland in the 1940s Mississipp­i Delta. An unlikely bond forms between war veterans Jamie McAllan (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell) as they face starkly different realities upon returning to the homestead and a world ravaged by the ills of poverty, racism and violence. • The Shape of Water: Guillermo del Toro (Pan’s Labyrinth) creates a new fantastica­l world in this genre mash-up featuring some of cinema’s highest talents. Sally Hawkins plays a mute janitor who convinces her colleague (Octavia Spencer) to help smuggle a secret classified experiment — an amphibious sea creature — out of the government lab where they work. That angers the testy agent (Michael Shannon), who is determined to retrieve the creature. One part monster movie, another part Hollywood love story, del Toro reaches back to the classics for inspiratio­n and convincing­ly masks some of the Toronto area’s nooks and crannies with a touch of 1960s flair.

Most polarizing films

Some screen veterans faced mixed-to-negative reactions to their projects. Among them was Louis C.K. with his black-andwhite comedy I Love You, Daddy, which created controvers­y with its look at a 68-year-old film director (John Malkovich) dating a 17-year-old girl (Chloë Grace Moretz). The story also seemed to touch on C.K.’s own controvers­ies surroundin­g allegation­s of questionab­le sexual behaviour. Meanwhile, George Clooney’s look at racial tensions with his homeinvasi­on tale Suburbicon drew criticism for not portraying the viewpoint of the black family. Alexander Payne’s humanshrin­king satire Downsizing had some saying it’s his best yet (the

Guardian called it a “miniature masterpiec­e”) and others declaring it his worst.

Standout performanc­es

• Gary Oldman: The celebrated British actor is unrecogniz­able in

Darkest Hour, in which he is cloaked in prosthetic makeup to portray Winston Churchill in the early days of his term during the Second World War. Still, Oldman’s talent consistent­ly shines through as he brings depth, intensity and flashes of humour to his role as the defiant British prime minister. It’s a careerdefi­ning performanc­e that is generating Oscar buzz. • James Franco: Speaking of uncanny performanc­es, Franco dons long hair and a lazy eyelid in a spot-on portrayal of eccentric filmmaker Tommy Wiseau in The

Disaster Artist. The uproarious comedy chronicles the making of Wiseau’s “so-bad-it’s-good” cult classic The Room, and splitscree­n moments showing both films at the end prove Franco is virtually indistingu­ishable from the real-life man he portrays. • Allison Janney: I, Tonya star Margot Robbie gets title billing with her portrayal of Tonya Harding in the mockumenta­rystyle black comedy. But as LaVona Golden, the chainsmoki­ng, acid-tongued mother of the disgraced U.S. figure skater, Janney delivers a scene-stealing knockout performanc­e likely to score high marks with the judges when awards season rolls around. • Timothée Chalamet: This relative newcomer was a breakout star of the fest for his triplewham­my of buzzworthy films. Chalamet, 22, ran a victory lap with Call Me By Your Name, the brooding love story involving two men that captivated audiences at this year’s Sundance Film Festival, then he grabbed praise as a selfish high schooler in Lady Bird. He also supported Christian Bale in the brutal western drama

Hostiles. And his streak isn’t over. He has scored a role alongside Selena Gomez in the latest Woody Allen film, which began shooting this week. • Sally Hawkins: The London star went into TIFF with Oscar buzz for playing Nova Scotian painter Maud Lewis in Maudie. But after wowing audiences at the festival as a lonely mute janitor in The

Shape of Water, many are also now predicting a nod for that role. It’s against Academy Awards rules for an actor to have two nomination­s in the same category, so will quiet indie film Maudie be able to survive the hype surroundin­g del Toro’s fantastica­l love story between a woman and a sea creature? Other standout women: In a year in which Wonder Woman dominated the box office, it feels especially appropriat­e that women garnered most of the TIFF awards chatter. Among them is Jessica Chastain for her waitresstu­rned-poker-pro in Aaron Sorkin’s Molly’s Game, and Jennifer Lawrence who was mesmerisin­g in mother! Margot Robbie slipping into the skates of Tonya Harding in I, Tonya also had viewers talking about accolades, while Frances McDormand’s role as an unforgivin­g mother in Three Billboards Outside Ebbing, Missouri is considered an Oscar lock. Regina native Tatiana Maslany brought a delicate balance of heart and steely determinat­ion to the role of the girlfriend of a Boston Marathon bombing victim in Stronger.

Memorable moments

From prime minister to pizza

delivery: Gary Oldman is known for his dramatic talent, but the acclaimed actor proved he can deliver some unexpected comic flair — and a pizza, if needed. As he was about to have his portrait taken in a hotel dining room, Oldman gamely offered to help carry equipment, toting a giant reflective disc. He pretended the wobbly reflector was a pizza as he mimicked delivering the makebeliev­e pie to amused diners.

Charismati­c Clooney: The eversuave actor/filmmaker cranked up the candour while promoting his directoria­l effort Suburbicon. Freshly bronzed from the Venice Internatio­nal Film Festival for the film’s première, George Clooney was a consummate pro, making much time for the media and tackling a range of subjects, from the Trump administra­tion, to recently putting down his dog and what it’s like to take on diaper duty for his newborn twins with wife Amal. Clooney also charmed stargazers on the red carpet, including a grandmothe­r who grabbed his chin in a photograph that went viral.

Très Jolie: Superstar Angelina Jolie surprised everyone by arriving at the première of her Cambodian genocide drama First They

Killed My Father with all six of her children. It was her most public appearance since filing for divorce from Brad Pitt.

Glenn’s gas: Glenn Close was discussing The Wife, a cerebral portrait of a marriage in crisis, when she suddenly let loose with a barely audible burp.

It was tiny, but enough to send the acting legend into a giddy giggling fit. “That is funny! As long as I don’t fart. That’s coming next,” Close warned cheekily, erupting in another burst of laughter.

 ??  ?? Gary Oldman was made unrecogniz­able in Darkest Hour, being cloaked in prosthetic makeup to portray Winston Churchill during the Second World War.
Gary Oldman was made unrecogniz­able in Darkest Hour, being cloaked in prosthetic makeup to portray Winston Churchill during the Second World War.
 ??  ?? Glenn Close embraces her daughter, Annie Stark, as they arrive on the red carpet in Toronto for the showing of The Wife.
Glenn Close embraces her daughter, Annie Stark, as they arrive on the red carpet in Toronto for the showing of The Wife.

Newspapers in English

Newspapers from Canada