Actor’s sense of curiosity key for FBI role: Fincher
NEW YORK — His TV fans know him as Patrick in HBO’s Looking, and as Jesse St. James in Glee. His movie fans know him as the voice of Kristoff in Frozen. And his theatre fans? They know him as the pouty, thoroughly annoyed King George in Hamilton.
This week, fans will see Jonathan Groff in an entirely new sort of role — as an FBI agent, trying to get into the mind of serial killers, in the new Netflix series Mindhunter.
The series takes place in the ’70s — think Son of Sam and Charles Manson — and is produced, and directed in part, by David Fincher, who knows his way around a gritty crime story, having directed Gone Girl and Zodiac. It’s based on the book Mindhunter: Inside the FBI’s Elite Serial Crime Unit by John Douglas, who spent many years developing psychological profiling to probe the minds of the country’s worst killers.
Based on the early episodes, it will pull no punches: Somebody’s head gets blown off in the first, and in the second, a serial killer describes truly unspeakable [even for cable] crimes. “It’s not easy butchering people,” the killer notes drily.
Groff’s character, Holden — based loosely on author Douglas — is a newcomer to the FBI, and Fincher says the actor’s natural sense of curiosity was ideal.
Groff sat down recently to discuss the part, and working with Fincher (the interview has been edited for length.) Q: Have you ever wondered what it was like to be in law enforcement? A: No. Being an actor and artist feels like the opposite. We’re emotional, we’re expressive, we’re empathetic, and playing someone in law enforcement seems like the antithesis of that — which made it really exciting. Also the character of Holden is inquisitive, really interested in bringing psychology and sociology to law enforcement. Q: In theatre, you can refine your character. Can you do that in TV? A: Yes, in theatre, three months into it, I’ll think: “Oh no, this is what it’s about! If only I’d been thinking about that during opening.” And then three months later I’m thinking: “Oh, actually it was the first thing!” You’re always refining. With David, it’s much like theatre, you’re always softening or sharpening the edges and creating something specific. Q: That first interview with a serial killer is bone-chilling. A: It’s sort of the moment everything comes into clarification. At one point, the killer asks me: “Why are you so tense?” For two days of shooting, I’d been fidgeting and doing various things, and suddenly David came over and said: “What if you don’t do anything?” It was genius. Q: There seems to be a Silence of the Lambs dynamic here, with you as the Clarice figure. A: Totally. But it’s interesting, as amazing as Silence of the Lambs is, David wanted to blow up that notion of the comic-book version of the serial killer, that brilliant genius, and really take a genuine human look at who these people are. They had mostly average IQs, and they’re just sad, [messed] up people with a damaged story.