Times Colonist

Just days remain for someone to collect $10M heist reward

Deadline looms for informatio­n on stolen paintings

- WILLIAM J. KOLE

BOSTON — A hot tip could still earn you a cool $10 million US from a Boston museum desperate to recover a trove of missing masterpiec­es. But you’d better hurry.

Midnight on Sunday is the deadline to collect a doubled reward being offered for informatio­n leading to the recovery of 13 works worth an estimated $500 million — including paintings by Degas, Manet, Rembrandt and Vermeer — stolen in 1990 from the Isabella Stewart Gardner Museum. So far, there have been no takers. That’s a big disappoint­ment to the museum and the FBI, which still hasn’t managed to solve the largest art heist in U.S. history. Both had hoped the enhanced reward would spur a flurry of fresh leads. Instead, it has been like watching paint dry.

“Right now, we’re laser-focused on this deadline,” museum spokeswoma­n Kathy Sharpless said. “Clearly, there’s a sense of urgency on our part. We want our paintings back.”

Here’s a look at the case and what’s likely to happen next:

The heist

On March 18, 1990, two men masqueradi­ng as Boston police officers gained entrance to the museum by telling the security guard at the watch desk that they were responding to a report of a disturbanc­e, according to authoritie­s.

The guard didn’t follow museum policy and allowed the men inside. He and another guard were handcuffed and locked in the basement while the thieves made off with the art.

The missing pieces include Rembrandt’s only known seascape, Christ in the Storm on the Sea of Galilee, and Vermeer’s The Concert, one of fewer than 40 known paintings by the 17th-century Dutch painter.

Twenty-seven years later, there are still empty frames on the walls of the gilded museum where the great works once were displayed.

The investigat­ion

The FBI told the Associated Press in 2015 that two suspects — both Boston criminals with ties to organized crime — were dead. The agency has said investigat­ors believe the paintings moved through mob circles to Connecticu­t and Philadelph­ia, where the trail went cold.

Federal prosecutor­s say Robert Gentile, an 81-year-old reputed Connecticu­t mobster, is the last surviving person of interest.

Federal agents have searched Gentile’s Manchester home several times.

Prosecutor­s have said another gangster’s widow claimed her husband gave Gentile two of the paintings. Authoritie­s have also said Gentile talked about the stolen paintings with fellow prisoners, and once told an undercover FBI agent he had access to two of the paintings and could negotiate the sale of each for $500,000. Gentile denies knowing anything about the theft.

The five-year statute of limitation­s on crimes associated with the actual theft expired more than 20 years ago, so the thieves, even if captured, could no longer be prosecuted.

Although authoritie­s haven’t offered blanket immunity for whoever has the paintings now, they say they’re willing to consider immunity for anyone who can help them recover the stolen works.

The reward

For years, the museum has offered a $5-million reward. In May, trustees upped it to $10 million, but only through to the end of this year.

Dutch art sleuth Arthur Brand, who has helped European authoritie­s recover other stolen works, said he had spoken to former police officers, ex-members of the Irish Republican Army and others, and remains convinced he is inching closer to solving the mystery.

“I said from the beginning if it’s not solved by the first of January it will become less likely that it will ever be solved,” Brand said.

“We are getting closer. There are so many people working on it that, in the end, the truth will come out — I’m absolutely certain about that. The only question is, do the paintings still exist?”

Sharpless said the gallery will happily write the cheque for the right tip.

“We’re really not interested in theories as much as in good, credible informatio­n and facts,” she said. “It only takes one good piece of informatio­n to help solve this puzzle.”

 ??  ?? Empty frames that contained the paintings remain on display at the Isabella Stewart Gardner Museum in Boston.
Empty frames that contained the paintings remain on display at the Isabella Stewart Gardner Museum in Boston.

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