Times Colonist

TV writers reveal wages amid parity debate

- VICTORIA AHEARN

TORONTO — As headlines swirl over pay disparitie­s in Hollywood, a sharable Google Doc has been making the rounds in the screen industry, encouragin­g TV writers, executives and assistants to anonymousl­y reveal their wages.

The document is in spreadshee­t form and asks participan­ts to share such informatio­n as pay, which studio and network they work for, their work title, their gender and whether they’re a person of colour. Participan­ts can also add other relevant informatio­n, such as whether they’re a part of a union, and how much experience they have.

The high-powered sexual misconduct defence initiative Time’s Up has worked to shine a light on pay inequality, and the reshoots for the Ridley Scott film All the Money in the World exposed how the issue can affect even A-listers.

Earlier this month, word spread over a significan­t pay disparity between actors Mark Wahlberg and Michelle Williams for the last-minute reshoots to help scrub Kevin Spacey from All the Money in the World. Wahlberg later agreed to donate the $1.5 million US he made for the reshoots to Time’s Up — Williams was reportedly paid less than $1,000.

But the pay gap issue is also one that is felt in Canada, says Elvira Kurt, a Canadian comedian, actress and screenwrit­er.

“Just because the document is in the Hollywood Reporter and it’s about Hollywood, it doesn’t mean that we’re immune to it up here,” Kurt said.

“I think the stakes are always different between Canada and the U.S., just in terms of how much money is made, how much money is available. But yes, I suspect it’s exactly the same. Why wouldn’t it be?”

It was unclear who created the spreadshee­t and participan­ts were not asked to reveal their names.

“Note to all reading: yes, people in industry are fully aware that experience, leverage, etc etc factor into pay — this is still helpful to many of us to cross check studio/network we’re at,” said a note in the “rules” section of the document.

J. Miles Dale, the Toronto producer behind 13-time Oscar nominee The Shape of Water, applauded the intentions behind the document.

“It’s great that everything is coming to light and before you can fix it, you have to bring it to light,” said Dale.

“Now I feel like that is on the road to being addressed solidly and it’s going to be much harder for anybody to get away with it and harder and harder every day. So good for the people who are trumpeting it. I feel like it’s incumbent on executives, agents, attorneys, anyone who’s advocating, frankly, for either side to recognize the importance of it.”

Kurt said the shared document “is just backing up what we all know anecdotall­y, not just from the bigger cases but just what you rationaliz­e to yourself about what you’re making, or what your experience even is.”

But it does help raise awareness, she added.

“The significan­ce of this is seeing the starkness of it, just how pervasive it is,” she said.

“When it’s just anecdotal, then it may be easier to rationaliz­e … . There’s no escaping it when you’re looking at the evidence … . It makes it harder to look away, to not realize how pervasive it is, and your own personal complicity.

“For me in the low-power position, it represents just how big the mountain is. When you’re climbing it, all you can see is what’s in front of you. A document like this is suddenly like, ‘Oh my god, this is Everest.’ ”

 ??  ?? Toronto-based producer J. Miles Dale: Important to see issue addressed.
Toronto-based producer J. Miles Dale: Important to see issue addressed.

Newspapers in English

Newspapers from Canada