Times Colonist

New role for Vancouveri­te Chalke

- BILL BRIOUX

Sarah Chalke was 16 when Roseanne changed her life.

Born in Ottawa and raised in North Vancouver, Chalke starred in comedian Roseanne Barr’s groundbrea­king sitcom of the late-1980s and 1990s, sharing the role of the Conner family’s oldest child, Becky. “I had an incredible experience the first time around,” Chalke told reporters at the semiannual television critics press tour in January. “I am so grateful to Roseanne for taking a chance on a kid from Canada.”

She’ll be back — along with the original Becky, Lecy Goranson — when the Roseanne revival premières Tuesday on ABC and CTV.

Roseanne took the wholesome American family ideal and gave it an honest, and funny, workingcla­ss spin. Debt, disease and dysfunctio­n became kitchen-table conversati­ons.

The new, nine-episode 10th season finds Dan and Roseanne managing even more mouths to feed under the same roof, this time as grandparen­ts. The hot topic around the table is Donald Trump, with Roseanne clearly in the U.S. president’s corner.

Questions about Barr’s personal support of Trump on Twitter dominated the cast press conference, which was disappoint­ing, said Chalke. “If I had 20 minutes with Roseanne, there are so many other things I’d want to hear from her,” Chalke said.

She preferred to talk about the tight-knit set, the talented writing and production staff and how two actors who played one character were both back on the show.

When she was approached for the revival, Chalke was told by executive producer Tom Werner and co-star/executive producer Sara Gilbert that she would be playing a new character, a married woman named Andrea who hires Becky to be her surrogate.

It’s a rather ingenious solution to the problem of bringing the two actors together in the one family.

“My answer, right from the beginning, was 100 per cent yes,” said Chalke, now 41. She loves it that her new character is both “unintentio­nally offensive,” as well as “well-intentione­d, but controllin­g” — in other words, she’s still a true Conner.

Chalke joined the series in 1993, when Goranson left after five seasons to go to university. The character’s departure was initially explained as her having run off to get married — casting logic later went out the window.

Hundreds of actors applied to be the new Becky. Chalke, then in Toronto working on the YTV series Kids Zone, sent “a grainy VHS tape the second that I heard about it.” By her third audition, she had won the part. “It was so early on in my career and my first big job and I was so young and a fish out of water,” Chalke said.

“These people were just the most amazing comedians. For me, that experience was really about watching and learning and absorbing and being in awe.”

Chalke was a fast learner. She has enjoyed a robust career since Roseanne, starring for nine seasons as Dr. Elliot Reid on the NBC sitcom Scrubs. Immediatel­y after Roseanne, she starred opposite Yannick Bisson (Murdoch Mysteries) in the Canadian western series Nothing Too Good for a Cowboy. There was a role on How I Met Your Mother, plus appearance­s on the ABC series Speechless.

Goranson left Roseanne with an option to return, school schedule permitting. This she did, replacing Chalke through much of Season 8. The unusual role-sharing became a running gag on the series. Other members of the Conner family started greeting Becky-of-theweek with sayings such as: “Where the hell have you been?”

A one-off role on Inside Amy Schumer in 2016 brought Chalke and Goranson together in a spoof of their revolving Roseanne roles. The two had never worked together before because they were both playing the same character.

After the Schumer episode, Goranson and Chalke had dinner, “which was fantastic,” said Goranson, “because I wanted to know what her experience was like.”

Chalke’s answer was that she loved every minute of it.

 ??  ?? Sarah Chalke says her new character in Roseanne is both “unintentio­nally offensive,” as well as “well-intentione­d, but controllin­g.”
Sarah Chalke says her new character in Roseanne is both “unintentio­nally offensive,” as well as “well-intentione­d, but controllin­g.”

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