Slave play that sparked protests to continue run
MONTREAL — The artistic director of a theatre in Saint-Jerome, Que., says he doesn’t want to cancel a play that sparked protests and accusations of racial insensitivity, and helped lead the Montreal jazz festival to cancel the show’s multinight run in early July.
David Laferriere said in an interview Tuesday the theatre will put on the show SLAV, by Quebec director Robert Lepage, in early 2019. The play features a predominantly white cast picking cotton and singing songs composed by black slaves.
“Should white people in 2018 sing and celebrate slave songs, created by suffering and humiliation? It’s not for me to say,” Laferriere said in an interview.
“I haven’t finished my reflection on that and I don’t think adding my voice to this debate is pertinent at the moment.”
The Gilles-Vigneault theatre in Saint-Jerome, about 60 kilometres north of Montreal, is one of several venues scheduled to host SLAV in early 2019.
Tickets can still be purchased for dates in Sherbrooke, Drummondville and Saguenay, despite criticism from Montreal’s black community, which accused the show’s white creators of profiting off the pain of black people.
One of the hottest tickets at this year’s Montreal’s jazz festival, the show was billed as a journey through “traditional AfroAmerican songs, from cotton fields to construction sites.”
On opening night last month, protesters converged outside the downtown Montreal theatre hosting the play and screamed invective at people trying to enter the building, forcing police to form a protective cordon for ticketholders walking in.
Activists denounced the show and its mostly white cast, and U.S. musician Moses Sumney cancelled a gig at the festival in protest.
Laferriere said he’s empathetic with those who have criticized the play. “I am sensitive to their comments, to their suffering and opinions, I understand it very well,” he said. “But the last thing for me to do is to kill this creation, and to not have this discussion.” He said his theatre is considering ways to start a dialogue with citizens and hold activities around the play to raise awareness to the themes of the production.
Laferriere said he isn’t concerned about protesters disturbing the show. “Protesters need to be heard,” he said. “Of course, in the logistics, we will have protesters in mind and will make sure things happen properly. As long as the public can enter the theatre respectfully, then I don’t mind if there are protests.”
Dan Philip, president of the Black Coalition of Quebec, said the play’s scheduled shows outside Montreal are an insult to black people. “It shows contempt for the black community and the black experience and slavery as a whole,” said Philip. “It shows they will do anything for profit.”
Quincy Armorer, artistic director of the Montreal-based Black Theatre Workshop, said the story SLAV tells has a place in art and theatre — but black people should play a prominent role in telling these narratives.
“There are appropriate, respectful and ethical ways of producing the work and I supposed I was happy to hear the production had been cancelled [in Montreal],” said Armorer, whose theatre company is in its 48th season. “And that was diminished when I found out it was going to continue in its current form.”
He said the fact that a play of this nature — created by a white man and featuring a predominantly white cast picking cotton on stage — can be performed in Quebec in 2018 shows, “people don’t really care.”