Voice of Ariel brings back fans’ memories
30 years on, Jodi Benson tells how Little Mermaid changed her life
It’s not uncommon for people to look at Jodi Benson and burst into tears. Sometimes they hyperventilate or scream. But mostly they break down and start sobbing. Benson will hold them and pat their back gently.
Benson isn’t a household name in North America, but for many people she’s an intimate part of their childhood. She supplied the singing and speaking voice of Ariel, the heroine of the 1989 animated Disney hit The Little Mermaid, which is celebrating its 30th anniversary this year.
Benson will watch as the stunned movie’s fans virtually go back in time in front of her. “It triggers a memory for them,” she says. “They remember who they were with when they saw the movie the first time. Maybe that sibling is no longer with them, that grandparent is no longer with them. It reminds them of a relationship that had been broken with a parent. So they have all sorts of emotions that go on.”
The Little Mermaid has changed a lot of lives, not least of which is Benson’s, who has continued to perform Arial virtually every weekend in concerts as well as on film in the Wreck-It Ralph franchise.
The Little Mermaid also had a big role in making Disney into an animation juggernaut and reviving the art form. Many believe we’d never have Anna and Elsa from Frozen without first having Ariel.
“Disney was starting to get into a groove that would continue, but I feel like a lot of that started with Little Mermaid,” says Ron Clements, who co-wrote and codirected the film.
Benson was a rising Broadway star when Ariel came into her orbit. She had been in a shortlived musical, Smile, when Howard Ashman, the musical’s lyricist and story writer, invited the out-of-work cast to audition for his next project, an adaptation of Hans Christian Andersen’s The Little Mermaid.
Producers wanted the singing and speaking voice to be supplied by the same actress. So Benson, a lyric soprano, sang the signature Part of Your World on a reel-toreel tape and was handed a few of pages of dialogue.
“I ran into the ladies’ room,” she recalls “and waited for everybody to get out of the stalls and started talking to the mirror, sort of trying to come up with what would she sound like at 16.”
Benson was a master mimic. She had spent countless hours in her room as a child with her guitar, singing along to records by Barbra Streisand, Carole King, James Taylor as well as Marvin Hamlisch’s A Chorus Line.
“I would start to just sing like them. But it wasn’t like I was trying to be them. It’s just that’s what I heard. And so that’s just what you do. You just sound like what you been listening to,” she says.
Ayear or so after auditioning for Ariel, she got the call that she’d won the role. “I completely forgot that I had auditioned,” she says. Back then, voiceover work wasn’t very glamorous and big names wouldn’t consider it.
“It wasn’t a good job. Doing voiceovers was what you would do when your career was on the back half, when it was tanking,” Benson says. She thought Ariel would be just another notch on her resumé. It was not. “Things just changed overnight,” she says.
Propelled by such Alan Menken songs as Under the Sea and Kiss the Girl, the film won two Grammys and earned three Academy Award nominations. It was critically acclaimed, with Roger Ebert calling it a “jolly and inventive animated fantasy,” and would go to earn $211 million US worldwide. Parents of children with learning disabilities have told Benson their child’s first words were from the film.
A live-action remake is in the works, featuring new songs by Lin-Manuel Miranda, who created Hamilton. He loved the 1989 animated film so much that it is partly the reason he named his first child Sebastian, the mermaid’s crab friend.
It was the kind of hit that Clements and his animators at Disney had long been hoping for. He had started at Disney in 1974 and was part of a new generation of artists trying to change the notion that animation was just for kids.
Clements had pitched a twopage treatment of the musical to then-studio head Michael Eisner and was given the green light. For Clements and his partner, John Musker, the stakes were high — it was the first fairytale Disney had done for three decades.
“It was really gratifying that it did break through,” Clements recalls. “It broke through the stigma that animated films were just for kids. It became a date movie. People started taking Disney animation seriously again.”
Over the past 30 years, Benson has become the official Ariel ambassador, tapped to do sequels, video games and shorts, in addition to voicing characters such as Barbie in the Toy Story franchise.
Her arms are always open to fans, so feel free to cry on her shoulder. “You have this multigenerational moment that families can share together. And I get to be a small piece of the puzzle of their story.”